- BPM
- 84
- Key
- E Major
- Camelot
- 12B
Fidelio (2000 Digital Remaster): Nr.9: Rezitativ: Abscheulicher! Wo eilst du hin? (Leonore) - Christa Ludwig, New Philharmonia Orchestra, Philharmonia Orchestra, Otto Klemperer Information
- Acousticness
- 99%
- Danceability
- 18%
- Energy
- 12%
- Instrumentalness
- 0%
- Liveness
- 24%
- Loudness
- 70%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 1%
- Loudness
- -17.941 dB
Summary
"Fidelio (2000 Digital Remaster): Nr.9: Rezitativ: Abscheulicher! Wo eilst du hin? (Leonore)" by Christa Ludwig, New Philharmonia Orchestra, Philharmonia Orchestra, Otto Klemperer was released on 2004. Since Fidelio (2000 Digital Remaster): Nr.9: Rezitativ: Abscheulicher! Wo eilst du hin? (Leonore) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in 100 Best Opera Classics, so we believe that "Fidelio (2000 Digital Remaster): Nr.9: Rezitativ: Abscheulicher! Wo eilst du hin? (Leonore)" is a single. Fidelio (2000 Digital Remaster): Nr.9: Rezitativ: Abscheulicher! Wo eilst du hin? (Leonore) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Fidelio (2000 Digital Remaster): Nr.9: Rezitativ: Abscheulicher! Wo eilst du hin? (Leonore) BPM
The tempo marking of Fidelio (2000 Digital Remaster): Nr.9: Rezitativ: Abscheulicher! Wo eilst du hin? (Leonore) by Christa Ludwig, New Philharmonia Orchestra, Philharmonia Orchestra, Otto Klemperer is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Fidelio (2000 Digital Remaster): Nr.9: Rezitativ: Abscheulicher! Wo eilst du hin? (Leonore) Key
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Requiem: XI. Domine Jesu Christe | Giuseppe Verdi, Sir Colin Davis, London Symphony Orchestra, Karen Cargill, Stuart Neill, John Relyea, Christine Brewer | A♭ Major | 0 | 4B | 125 BPM | |
 | Strauss, R: Der Rosenkavalier, Op. 59, Act 1: "Wie du warst! Wie du bist!" (Octavian, Marschallin) | Richard Strauss, Herbert von Karajan, Elisabeth Schwarzkopf, Christa Ludwig, Philharmonia Orchestra | B Major | 1 | 1B | 88 BPM | |
 | Tristan und Isolde, WWV 90 / Act 2: "Einsam wachend in der Nacht" | Richard Wagner, Christa Ludwig, Bayreuth Festival Orchestra, Karl Böhm | F♯ Major | 3 | 2B | 97 BPM | |
 | Madama Butterfly / Act 1: Sorride Vostro Onore? | Giacomo Puccini, Christa Ludwig, Luciano Pavarotti, Robert Kerns, Wiener Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 105 BPM | |
 | Rückert-Lieder, Op.44: Ich bin der Welt abhanden gekommen | Gustav Mahler, Christa Ludwig, Berliner Philharmoniker, Herbert von Karajan | F Minor | 1 | 4A | 89 BPM | |
| Madama Butterfly / Act 2: E Izaghi ed Izanami, Sarundasico e Kami | Giacomo Puccini, Christa Ludwig, Mirella Freni, Wiener Philharmoniker, Herbert von Karajan | G Minor | 0 | 6A | 169 BPM | |
 | Palestrina: Act III - "Wie lange sie bleiben" | Otmar Suitner, Staatskapelle Berlin, Berlin State Opera Chorus, Carola Nossek, Helmut Oertel, Peter Schreier | F♯ Major | 1 | 2B | 87 BPM | |
| Der Rosenkavalier (2001 - Remaster), Act I: Mein schöner Schatz (Octvaian/Marschallin) | Richard Strauss, Elisabeth Schwarzkopf, Anny Felbermayer, Christa Ludwig, Eberhard Wächter, Erich Majkut, Franz Bierbach, Gerhard Unger, Harald Pröglhöf, Karl Friedrich, Kerstin Meyer, Ljuba Welitsch, Nicolai Gedda, Otto Edelmann, Paul Kuen, Teresa Stich-Randall, Herbert von Karajan, Philharmonia Orchestra | E♭ Major | 1 | 5B | 76 BPM | |
 | Offenbach: La Belle Hélène, Act 2 Scene 11: No. 11, Invocation à Vénus, "On me nomme Hélène la blonde" (Hélène) | Jacques Offenbach, John Aler, Charles Burles, Jessye Norman, Nicole Carreras, Colette Alliot-Lugaz, Gabriel Bacquier, Jean-Philippe Lafont, Choeur Du Capitole De Toulouse, Michel Plasson, Orchestre Du Capitole De Toulouse | A Major | 2 | 11B | 82 BPM | |
 | Grande messe des morts, Op. 5, "Requiem": Rex tremendae | Hector Berlioz, Michael Schade, Toronto Mendelssohn Choir, Toronto Mendelssohn Youth Choir, Elora Festival Orchestra, Noel Edison | B♭ Major | 0 | 6B | 79 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.9091875553131104
End: 0.9138596057891846