Manuel de Falla, Manuel Barrueco's 'de Falla: Homenaje pour "Le tombeau de Debussy", G. 56' came out on April 14, 2008. The duration of de Falla: Homenaje pour "Le tombeau de Debussy", G. 56 is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. de Falla: Homenaje pour "Le tombeau de Debussy", G. 56's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 100 Best Guitar Classics, so we believe that "de Falla: Homenaje pour "Le tombeau de Debussy", G. 56" is a single. In terms of popularity, de Falla: Homenaje pour "Le tombeau de Debussy", G. 56 is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of de Falla: Homenaje pour "Le tombeau de Debussy", G. 56 by Manuel de Falla, Manuel Barrueco is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les biches Suite, FP 36b: I. Rondeau | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | C Major | 1 | 8B | 79 BPM | ||
7 Canciones populares espanolas (arr. P. Kochanski for violin and piano): Jota | Paul Kochanski, Manuel de Falla, Robert Koenig, Si-Qing Lu | E Major | 1 | 12B | 137 BPM | ||
Oriental Dance | Aram Khachaturian, Xavier De Maistre | A Minor | 1 | 8A | 99 BPM | ||
Couperin: Les Baricades mistérieuses | François Couperin, Aurora Orchestra, Nicholas Collon | B♭ Major | 0 | 6B | 65 BPM | ||
Premier Nocturne, Op. 22 | Charles-Valentin Alkan, Michael Landrum | B Major | 0 | 1B | 135 BPM | ||
Carmen Fantasy, Op. 25: IV. Allegro moderato | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | A Major | 1 | 11B | 103 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
El amor brujo (Love, the Magician): No. 1. Pantomime (arr. P. Kochanski) | Paul Kochanski, Manuel de Falla, Salvatore Accardo, Laura Manzini | G Major | 0 | 9B | 77 BPM | ||
Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | ||
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | C Major | 3 | 8B | 145 BPM |
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