"Varèse : Hyperprism" by Edgard Varèse, Kent Nagano, Orchestra National de Radio France was released on November 1, 1992. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Varèse : Orchestral Works by Edgard Varèse, Kent Nagano, Orchestra National de Radio France. The song's track number on the album is #4 out of 14 tracks. The popularity of Varèse : Hyperprism is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Varèse : Hyperprism by Edgard Varèse, Kent Nagano, Orchestra National de Radio France has a tempo of 171 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Varèse : Hyperprism being at 171 BPM, the half-time would be 86 BPM with a double-time of 342 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 1/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Shchedrin: Carmen Suite: I. Introduction (after Bizet's opera) | Rodion Shchedrin, Rachmaninoff International Orchestra, Mikhail Pletnev | D♭ Major | 4 | 3B | 154 BPM | ||
Chants de Terre et de Ciel: No. 1, Bail avec Mi (pour ma femme) | Olivier Messiaen, Barbara Hannigan, Bertrand Chamayou | D Major | 0 | 10B | 66 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Major | 1 | 10B | 82 BPM | ||
Déserts: 3rd Interpolation Of Organised Sound | Edgard Varèse, (Pre-Recorded Tape) | A Major | 2 | 11B | 73 BPM | ||
3 Klavierstücke, Op. 11: No. 1, Mäßige Viertel | Arnold Schoenberg, Glenn Gould | A♭ Major | 0 | 4B | 79 BPM | ||
St. Luke Passion: Part I: Ierusalem (Lamentation of Jeremiah) | Krzysztof Penderecki, Izabela Klosinska, Krzysztof Kolberger, Adam Kruszewski, Romuald Tesarowicz, Warsaw Boys Choir, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit | G Major | 0 | 9B | 107 BPM | ||
Movement II: Abdulmajid | Philip Glass, Dennis Russell Davies, Sinfonieorchester Basel | B Major | 2 | 1B | 88 BPM | ||
Saint Francois D'Assise / Premier Acte: Premier Tableau: La Croix: Un peu vif - "J'ai peur, sur la route" - 1ère strophe (Frére Léon, Saint Francois) | Olivier Messiaen, José van Dam, Urban Malmberg, Jeanne Loriod, Hallé, Kent Nagano | D♭ Major | 2 | 3B | 132 BPM | ||
Reflections on the Nature of Water: IV. Gently swelling | Jacob Druckman, Group for Contemporary Music | C Minor | 0 | 5A | 157 BPM | ||
Wozzeck / Act III: Scene IV: Forest Path by a Pool. "Das Messer? Wo ist das Messer?" | Alban Berg, Heinz Zednik, Franz Grundheber, Aage Haugland, Wiener Philharmoniker, Claudio Abbado | F Minor | 1 | 4A | 82 BPM |
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