Arthur Sullivan, Owen Brannigan/Marjorie Thomas/Ian Wallace/Sir Geraint Evans/Monica Sinclair/Pro Arte Orchestra/Sir Malcolm Sargent, Sir Malcolm Sargent, Pro Arte Orchestra made "Sullivan: The Mikado or The Town of Titipu, Act 2: No. 19, Glee, "See how the Fates their gifts allot" (Mikado, Pitti-Sing, Pooh-Bah, Ko-Ko, Katisha)" available on 1957. The duration of Sullivan: The Mikado or The Town of Titipu, Act 2: No. 19, Glee, "See how the Fates their gifts allot" (Mikado, Pitti-Sing, Pooh-Bah, Ko-Ko, Katisha) is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Sullivan: The Mikado or The Town of Titipu, Act 2: No. 19, Glee, "See how the Fates their gifts allot" (Mikado, Pitti-Sing, Pooh-Bah, Ko-Ko, Katisha)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "Sullivan - The Mikado". In this album, this song's track order is #8. Sullivan: The Mikado or The Town of Titipu, Act 2: No. 19, Glee, "See how the Fates their gifts allot" (Mikado, Pitti-Sing, Pooh-Bah, Ko-Ko, Katisha) is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Sullivan: The Mikado or The Town of Titipu, Act 2: No. 19, Glee, "See how the Fates their gifts allot" (Mikado, Pitti-Sing, Pooh-Bah, Ko-Ko, Katisha) by Arthur Sullivan, Owen Brannigan/Marjorie Thomas/Ian Wallace/Sir Geraint Evans/Monica Sinclair/Pro Arte Orchestra/Sir Malcolm Sargent, Sir Malcolm Sargent, Pro Arte Orchestra having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lohengrin, WWV 75 / Act I: "Einsam in trüben Tagen" | Richard Wagner, Cheryl Studer, Hartmut Welker, Kurt Moll, Vienna State Opera Chorus, Wiener Philharmoniker, Claudio Abbado | A♭ Major | 0 | 4B | 82 BPM | ||
Tom Bowling | Charles Dibdin, Sir Peter Pears, Benjamin Britten | E♭ Major | 1 | 5B | 76 BPM | ||
The Vagabond | John Ireland, Roderick Williams, Iain Burnside | A♭ Major | 0 | 4B | 0 BPM | ||
Carmina Burana, Pt. 1: No. 5, Ecce gratum | Carl Orff, Atlanta Symphony Orchestra, Robert Shaw | D Minor | 1 | 7A | 138 BPM | ||
La fille du régiment / Act 1: La la la ...chacum le sait, chacun le dit | Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, Spiro Malas, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Major | 2 | 7B | 180 BPM | ||
Don Giovanni, K. 527, Act II: Canzonetta: Deh, vieni alla finestra | Wolfgang Amadeus Mozart, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | D Major | 0 | 10B | 137 BPM | ||
Orphée aux enfers, ACT 1, Deuxième tableau: l'Olympe: Pour séduire Alcmène..(Minerve/Choeur/Diane/Cupidon/Venus/Pluton) | Jacques Offenbach, Jean-Paul Fouchécourt/Patricia Petibon/Jennifer Smith/Véronique Gens/Virginie Pochon/Choeurs de l'Opéra National de Lyon/Orchestre de l'Opéra National de Lyon/Orchestre de Chambre de Grenoble/Marc Minkowski, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | G Major | 2 | 9B | 111 BPM | ||
The Yeomen of the Guard: Overture | Arthur Sullivan, Royal Philharmonic Orchestra, Sir Malcolm Sargent | B♭ Major | 2 | 6B | 133 BPM | ||
The Yeomen of the Guard / Act 1: "When our gallant Norman foes" | Arthur Sullivan, Anne Collins, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | D♭ Major | 0 | 3B | 88 BPM | ||
Die Fledermaus: Act II: Ein Souper uns heute winkt (Chorus) | Johann Strauss II, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Friedrich Haider | E Major | 2 | 12B | 103 BPM |
Section: 0.8957078456878662
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