Michel Richard Delalande, Sophie Karthäuser, Ensemble Correspondances, Sébastien Daucé made "Miserere: IX. Tunc acceptabis" available on March 9, 2015. The duration of Miserere: IX. Tunc acceptabis is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Miserere: IX. Tunc acceptabis's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé, Sophie Karthäuser's "Lalande: Leçons de Ténèbres" album is number 10 out of 44. In terms of popularity, Miserere: IX. Tunc acceptabis is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Miserere: IX. Tunc acceptabis by Michel Richard Delalande, Sophie Karthäuser, Ensemble Correspondances, Sébastien Daucé to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
King Arthur, Z. 628, Act II: No. 10, Introduction | Henry Purcell, Vox Orchester, Lorenzo Ghirlanda | D♭ Minor | 1 | 12A | 67 BPM | ||
12 Violin Sonatas, Sonata in E Minor, No. 4: I. Gracieusement | Jean-Féry Rebel, Lucile Boulanger, Simon Pierre, Olivier Fortin | B♭ Minor | 3 | 3A | 94 BPM | ||
Armide, LWV 71, Act II Scene 1: Invincible héros (Artémidore, Renaud) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique, Timothée Varon, Cyril Auvity | F Major | 1 | 7B | 139 BPM | ||
Sonata Sexta in F Minor for Violin: II. Allegro | Daniel Purcell, La Rêveuse, Florence Bolton, Benjamin Perrot, Stephan Dudermel | B♭ Minor | 0 | 3A | 135 BPM | ||
Membra Jesu nostri, BuxWV 75: Ic. Ad pedes: Clavos pedum, plagas duras | Dietrich Buxtehude, Roberto Balconi, Daniele Carnovich, Mario Cecchetti, Roberta Invernizzi, Caterina Trogu, Radio Svizzera Choir, Lugano, Sonatori de la Gioiosa Marca, Accademia Instrumentale Italiana, Diego Fasolis | F♯ Minor | 2 | 11A | 100 BPM | ||
3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: III. Sarabanda | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Te Deum, S.32: VIII. Tu, ad liberandum | Michel Richard Delalande, Le Poème Harmonique, Vincent Dumestre, Dagmar Saskova | C Major | 1 | 8B | 110 BPM | ||
Wassermusik Suite, TWV 55:C3 "Hamburger Ebb' und Fluth": IV. Loure. Der verliebte Neptunus | Georg Philipp Telemann, Robert King, The King's Consort | B Major | 2 | 1B | 144 BPM | ||
Te Deum, S. 32: VI. Tu Rex gloriae, Christe | Michel Richard Delalande, Véronique Gens, François Piolino, Les Arts Florissants, William Christie | B Major | 1 | 1B | 78 BPM | ||
Membra Jesu nostri, BuxWV 75: IVd. Ad latus: Hora mortis meus flatus | Dietrich Buxtehude, Roberto Balconi, Daniele Carnovich, Mario Cecchetti, Roberta Invernizzi, Caterina Trogu, Radio Svizzera Choir, Lugano, Sonatori de la Gioiosa Marca, Accademia Instrumentale Italiana, Diego Fasolis | F♯ Minor | 2 | 11A | 100 BPM |
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