"3 Pieces, Op. 2: I. No. 1, Etude" by Alexander Scriabin, Kotaro Fukuma was released on March 1, 2024. The duration of 3 Pieces, Op. 2: I. No. 1, Etude is about 3 minutes long, at 3:10. Based on our data, "3 Pieces, Op. 2: I. No. 1, Etude" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 25 in the song's album "The Essential Kotaro Fukuma". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Japan. In terms of popularity, 3 Pieces, Op. 2: I. No. 1, Etude is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With 3 Pieces, Op. 2: I. No. 1, Etude by Alexander Scriabin, Kotaro Fukuma having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ravel: Sonatine, M. 40: III. Animé | Maurice Ravel, Fazıl Say | F♯ Minor | 1 | 11A | 85 BPM | ||
エルガー:「愛の挨拶」作品12 | Kenji Maeda | B Major | 1 | 1B | 62 BPM | ||
53 Studies on the Chopin Études: No. 2 in D-Flat Major (2nd Version after Chopin's Op. 10 No. 1, for the left hand alone) | Leopold Godowsky, Konstantin Scherbakov | D♭ Major | 1 | 3B | 119 BPM | ||
Piano Sonata No. 17 in D Minor, Op. 31 No. 2 "Tempest": II. Adagio | Ludwig van Beethoven, Kotaro Fukuma | F Minor | 0 | 4A | 110 BPM | ||
On an Overgrown Path, JW VIII/17, Book 1: No. 1, Our Evenings | Leoš Janáček, Lars Vogt | A♭ Minor | 0 | 1A | 89 BPM | ||
Barcarolle in E-Flat Major, Op. 71 | Mel Bonis, Mengyiyi Chen | G Minor | 0 | 6A | 62 BPM | ||
Kitsch-Musik: I. Allegro vivace | Valentin Silvestrov, Alena Cherny | F Minor | 0 | 4A | 66 BPM | ||
Adios Nonino Cadenza | John Sawoski | A♭ Major | 1 | 4B | 72 BPM | ||
3 Mozart Transformations, After Poulenc: I. Minuet, K. 1 | Stephen Hough | A Minor | 0 | 8A | 66 BPM | ||
Concert Étude, Op. 35: No. 2, Automne | Máire Carroll | D♭ Major | 1 | 3B | 69 BPM |
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