Dmitri Shostakovich, Scottish Ensemble, Clio Gould's 'Chamber Symphony in C Minor, Op. 110a: III. Allegretto' had a release date set for 2000. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 11 in the song's album "Shostakovich: Chamber Symphony". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Chamber Symphony in C Minor, Op. 110a: III. Allegretto is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Chamber Symphony in C Minor, Op. 110a: III. Allegretto by Dmitri Shostakovich, Scottish Ensemble, Clio Gould having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasia in D Minor, K. 397 | Wolfgang Amadeus Mozart, Alfred Brendel | D Major | 0 | 10B | 126 BPM | ||
Raymonda, Op. 57: Act III - Variation IV | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D Minor | 0 | 7A | 90 BPM | ||
Ballet Suite No. 3 (arr. L. Atovmyan): Elegy (The Human Comedy) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | A♭ Major | 1 | 4B | 87 BPM | ||
Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle | E Minor | 1 | 9A | 102 BPM | ||
Ballet Suite No. 1 (arr. L. Atovmyan): Lyric Waltz (Suite for Jazz Orchestra No. 1) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | E♭ Major | 2 | 5B | 103 BPM | ||
13 Pieces, Op. 76: No. 2 Etude | Jean Sibelius, Håvard Gimse | A Minor | 2 | 8A | 72 BPM | ||
Winterreise, Op. 89, D. 911: No. 21, Tauschung (Arr. T. Zimmermann and H. Holl) | Franz Schubert, Peter Härtling, Tabea Zimmermann, Hartmut Höll | A Major | 0 | 11B | 119 BPM | ||
Petite suite: I. En bateau (arr. H. Busser for orchestra): I. En bateau | Claude Debussy, Henri Büsser, Orchestre National De Lyon, Jun Markl | G Major | 0 | 9B | 93 BPM | ||
Wagner: Albumblatt, WWV 94 | Richard Wagner, Renaud Capuçon | A Major | 2 | 11B | 87 BPM | ||
Chamber Symphony in F Major, Op. 73a (Arr. R. Barshai): I. Allegretto | Rudolf Barshai, Dmitri Shostakovich, Kyiv Virtuosi, Dmitry Yablonsky | C Major | 1 | 8B | 88 BPM |