"Solitude sur la montagne" by Ole Bull, Charlie Siem, Paul Goodwin was released on September 19, 2014. The duration of Solitude sur la montagne is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Solitude sur la montagne's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Under the Stars". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. In terms of popularity, Solitude sur la montagne is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Solitude sur la montagne by Ole Bull, Charlie Siem, Paul Goodwin having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Serenade ("Standchen" No. 4 from Schwanengesang D. 957) | Franz Schubert, Nicola Benedetti, Academy of St. Martin in the Fields | C Minor | 1 | 5A | 95 BPM | ||
String Quartet No. 1 in D Major, Op. 11: II. Andante cantabile (Arr. for Cello and Orchestra) | Pyotr Ilyich Tchaikovsky, Jan Vogler, Helmut Branny | B Major | 1 | 1B | 82 BPM | ||
Saint-Saëns: Carnival of the Animals, R. 125: No. 13 The Swan | Camille Saint-Saëns, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Major | 0 | 9B | 87 BPM | ||
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | ||
Courtship-a-la-mode: III. Air | William Croft, The London Oboe Band, Paul Goodwin | F♯ Minor | 1 | 11A | 119 BPM | ||
Le Bourgeois gentilhomme (The Would-Be Gentleman): Ouverture | Jean-Baptiste Lully, The London Oboe Band, Paul Goodwin, Marie-Ange Petit | B Major | 0 | 1B | 127 BPM | ||
Symphony No. 2 in A Major: II. Andante cantabile | Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar | F♯ Minor | 1 | 11A | 69 BPM | ||
Scottish Fantasy, Op. 46: 1. Adagio cantabile | Max Bruch, Nicola Benedetti, BBC Scottish Symphony Orchestra, Rory Macdonald | E♭ Major | 2 | 5B | 111 BPM | ||
Le Mariage de la Grosse Cathos (Fat Kate's Wedding): Air: "Mr. & Md. Dupon" | François-André-Danican Philidor, The London Oboe Band, Paul Goodwin, Marie-Ange Petit | F♯ Major | 0 | 2B | 98 BPM |
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