- BPM
- 68
- Key
- F♯ Major
- Camelot
- 2B
Matthäus-Passion, BWV 244 / Erster Teil: No. 2 "Da Jesus diese Rede vollendet hatte" - Johann Sebastian Bach, Anthony Rolfe Johnson, Andreas Schmidt, English Baroque Soloists, John Eliot Gardiner Information
- Acousticness
- 85%
- Danceability
- 47%
- Energy
- 2%
- Instrumentalness
- 0%
- Liveness
- 12%
- Loudness
- 50%
- Speechiness
- 4%
- Valence
- 29%
- Popularity
- 18%
- Loudness
- -29.789 dB
Summary
Johann Sebastian Bach, Anthony Rolfe Johnson, Andreas Schmidt, English Baroque Soloists, John Eliot Gardiner's 'Matthäus-Passion, BWV 244 / Erster Teil: No. 2 "Da Jesus diese Rede vollendet hatte"' came out on January 1, 1989. With Matthäus-Passion, BWV 244 / Erster Teil: No. 2 "Da Jesus diese Rede vollendet hatte" being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 2 out of 68 in Bach, J.S.: St. Matthew Passion, BWV 244 by Johann Sebastian Bach, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner. Matthäus-Passion, BWV 244 / Erster Teil: No. 2 "Da Jesus diese Rede vollendet hatte" is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Matthäus-Passion, BWV 244 / Erster Teil: No. 2 "Da Jesus diese Rede vollendet hatte" BPM
The tempo marking of Matthäus-Passion, BWV 244 / Erster Teil: No. 2 "Da Jesus diese Rede vollendet hatte" by Johann Sebastian Bach, Anthony Rolfe Johnson, Andreas Schmidt, English Baroque Soloists, John Eliot Gardiner is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Matthäus-Passion, BWV 244 / Erster Teil: No. 2 "Da Jesus diese Rede vollendet hatte" Key
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | St. Matthew Passion, BWV 244, Pt. 1: No. 6. Buß und Reu | Johann Sebastian Bach, Stephen Cleobury, Academy of Ancient Music, David Allsopp | F Minor | 1 | 4A | 79 BPM | |
 | St. John Passion, BWV 245: Part I: Chorale: Wer hat dich so geschlagen (Chorus) | Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | A♭ Major | 1 | 4B | 174 BPM | |
 | Brandenburg Concerto No. 1 In F Major, BWV 1046: II. Adagio | Cologne Chamber Orchestra, Johann Sebastian Bach | D Minor | 1 | 7A | 78 BPM | |
 | Concerto For 2 Keyboards in C Major, BWV 1061: II. Adagio | Cologne Chamber Orchestra, Christoph Anselm Noll, Gerald Hambitzer, Johann Sebastian Bach | A Minor | 1 | 8A | 81 BPM | |
 | Vespro della Beata Vergine, SV 206: VI. Laetatus sum a 6 - Live | Claudio Monteverdi, Ann Monoyios, Marinella Pennicchi, Mark Tucker, Nigel Robson, Alastair Miles, English Baroque Soloists, His Majestys Sagbutts & Cornetts, John Eliot Gardiner, The Monteverdi Choir | G Minor | 1 | 6A | 89 BPM | |
 | Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | |
 | Concerto In The Italian Style, BWV 971, "Italian Concerto": I. (Allegro) | Janos Sebestyen, Johann Sebastian Bach | F Major | 3 | 7B | 105 BPM | |
 | I. Christ Lag In Todes Banden BWV 4, 4. Aria (Tenore) (Versus III): Jesus Christus, Gottes Sohn | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Bas Ramselaar, Nico Van Der Meel, Johann Sebastian Bach, Sytse Buwalda, Pieter Jan Leusink | B Major | 1 | 1B | 71 BPM | |
 | Sonata for Flauto Traverso and Basso Continuo in E Major, BWV 1035: II. Allegro | Richard Egarr, Johann Sebastian Bach, Viola de Hoog, Martin Root | D Major | 2 | 10B | 103 BPM | |
 | St. Matthew Passion, BWV 244, Pt. 2: No. 41, Des Morgens aber hielten alle Hohepriester und die Ältesten des Volks einen Rat | Johann Sebastian Bach, Benjamin Bruns, Toru Kaku, Yusuke Watanabe, Bach Collegium Japan, Masaaki Suzuki | B♭ Minor | 1 | 3A | 110 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.612116813659668
End: 0.6160955429077148