"Campra: Notus in Judea Deus (Psalm 76), grand motet: No. 7, R,cit "Cum exurgeret" (Haute-contre)" by André Campra, Jaël Azzaretti, William Christie was released on 2003. The duration of Campra: Notus in Judea Deus (Psalm 76), grand motet: No. 7, R,cit "Cum exurgeret" (Haute-contre) is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Campra: Notus in Judea Deus (Psalm 76), grand motet: No. 7, R,cit "Cum exurgeret" (Haute-contre)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 27 in Campra: Grand Motets by André Campra, William Christie, Les Arts Florissants. In terms of popularity, Campra: Notus in Judea Deus (Psalm 76), grand motet: No. 7, R,cit "Cum exurgeret" (Haute-contre) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Campra: Notus in Judea Deus (Psalm 76), grand motet: No. 7, R,cit "Cum exurgeret" (Haute-contre) by André Campra, Jaël Azzaretti, William Christie is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Missa Paschalis, ZWV 7: Gloria. Qui tollis | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | F♯ Minor | 2 | 11A | 128 BPM | ||
6. Aria: Ein Gebet um neue Stärke | Georg Anton Kreusser, Julia Sophie Wagner, Karsten Storck, Mainzer Domorchester | A Major | 2 | 11B | 74 BPM | ||
Trio Sonata in A Minor, BuxWV 254: V. Largo | Dietrich Buxtehude, Ensemble Mélero | A Major | 3 | 11B | 103 BPM | ||
Te Deum "de Lyon": XI. Te ergo quæsumus famulis tuis subveni | Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | B♭ Major | 4 | 6B | 106 BPM | ||
Céphale et Procris, Prologue: Ouverture | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | F Minor | 1 | 4A | 75 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: Ballo: I. Grazioso | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Platée, Acte 1 Scène 3: Ariette badine "Que ce séjour est agréable !" (Platée, Clarine) | Jean-Philippe Rameau, Les Arts Florissants, William Christie, Marcel Beekman, Emmanuelle De Negri | E♭ Major | 1 | 5B | 104 BPM | ||
Céphale et Procris, Act III Scene 3: Passacaille | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | C Major | 2 | 8B | 78 BPM | ||
Monteverdi: L'Orfeo, SV 318, Act 1: "Vieni Imeneo" | Claudio Monteverdi, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir | A Minor | 0 | 8A | 95 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: III. Sequentia, 1. Dies irae | Niccolò Jommelli, Miriam Feuersinger, Il Gardellino, Gaia Petrone, Valerio Contaldo, Wolf Matthias Friedrich, Peter Van Heyghen | D Major | 1 | 10B | 142 BPM |
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