- BPM
- 137
- Key
- A Minor
- Camelot
- 8A
The Carnival of the Animals, R. 125: VII. Aquarium - Camille Saint-Saëns, Richard Stamp, Academy Of London Information
- Acousticness
- 98%
- Danceability
- 19%
- Energy
- 2%
- Instrumentalness
- 78%
- Liveness
- 15%
- Loudness
- 45%
- Speechiness
- 4%
- Valence
- 5%
- Popularity
- 0%
- Loudness
- -32.935 dB
Summary
"The Carnival of the Animals, R. 125: VII. Aquarium" by Camille Saint-Saëns, Richard Stamp, Academy Of London was released on June 5, 2021. The duration of The Carnival of the Animals, R. 125: VII. Aquarium is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. The Carnival of the Animals, R. 125: VII. Aquarium's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 30 in French Romantic Composers by Various Artists. Based on our statistics, The Carnival of the Animals, R. 125: VII. Aquarium's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The Carnival of the Animals, R. 125: VII. Aquarium BPM
The tempo marking of The Carnival of the Animals, R. 125: VII. Aquarium by Camille Saint-Saëns, Richard Stamp, Academy Of London is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
The Carnival of the Animals, R. 125: VII. Aquarium Key
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Bagatelles et impromptus: VII. Love | Bedřich Smetana, William Howard | A Major | 0 | 11B | 71 BPM | |
 | Prokofiev: Romeo and Juliet, Op. 64, Act 1, Scene 2: Dance of the Knights | Sergei Prokofiev, André Previn, London Symphony Orchestra | C Major | 1 | 8B | 86 BPM | |
 | Elgar: Variations on an Original Theme, Op. 36, "Enigma": Theme (Andante) | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | G Minor | 1 | 6A | 178 BPM | |
 | Prélude in C-Sharp Minor, Op. 3, No. 2 | Sergei Rachmaninoff | F♯ Minor | 1 | 11A | 115 BPM | |
 | Capriccio brillant, Op. 22: Andante | Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony Orchestra | B Major | 0 | 1B | 91 BPM | |
 | Five Pieces For Violin And Piano: I. Elegia (Andante Larghetto) | Valentin Silvestrov, Duo Gazzana | E♭ Major | 0 | 5B | 74 BPM | |
 | Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | |
 | Symphony No. 40 in G Minor, K. 550: I. Allegro molto | Wolfgang Amadeus Mozart, Capella Istropolitana, Barry Wordsworth | G Minor | 2 | 6A | 109 BPM | |
 | Mercure, Scene 1: La nuit | Erik Satie, Orchestre Symphonique et Lyrique de Nancy, Jerome Kaltenbach | C Major | 0 | 8B | 139 BPM | |
 | Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.8875620365142822
End: 0.899677038192749