Airardus Viziliacensis, The Rose Ensemble, Jordan Sramek's 'Annua Gaudia (1)' came out on June 1, 2014. The duration of Annua Gaudia (1) is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Annua Gaudia (1)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "The Road to Compostela". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United States. Annua Gaudia (1) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Annua Gaudia (1) by Airardus Viziliacensis, The Rose Ensemble, Jordan Sramek having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pater noster, omnipotens Deus | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | E Minor | 0 | 9A | 77 BPM | ||
Christi baptista | Anónimo, Egeria | A Minor | 0 | 8A | 77 BPM | ||
Victoria: Lamentations for Maundy Thursday 1 - 3. Quomodo Sedet Sola Civitas | The Tallis Scholars, Peter Phillips | B Minor | 0 | 10A | 83 BPM | ||
Benedicta Sit - VIII modo | Schola Gregoriana Mediolanensis & Giovanni Vianini | D♭ Major | 1 | 3B | 102 BPM | ||
Gospel | William Byrd, Saint Thomas Choir of Men & Boys, Fifth Avenue, New York, Jeremy Filsell, Gerre Hancock | E♭ Major | 2 | 5B | 85 BPM | ||
Hodie scietis (Graduel) | Chœur des moniales Bénédictines de l'abbaye Notre-Dame d'Argentan, Denise Lebon | F Major | 1 | 7B | 114 BPM | ||
Vêpres - Répons bref : Spiritus paraclitus | Choeur des moines de l'abbaye Notre Dame de Fontgombault | B♭ Major | 0 | 6B | 119 BPM | ||
The Armed Man (Ensemble Version): IV. Save Me from Bloody Men | Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera | G Major | 2 | 9B | 127 BPM | ||
Allelujia, Haec dies (Antiphona) | Nova Schola Gregoriana, Alberto Turco, Alessio Randon | E Minor | 0 | 9A | 82 BPM | ||
Lucernaire | Ecole gregorienne, Schola Saint-Bruno | A Major | 3 | 11B | 81 BPM |
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