"My Dearest Dear (Reprise)" by David Fieldsend, National Symphony Orchestra, Valerie Masterson was released on December 7, 2010. With My Dearest Dear (Reprise) being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 51 in the song's album "The Dancing Years (All Star 2010 Studio Cast, First Complete Recording)". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, My Dearest Dear (Reprise) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With My Dearest Dear (Reprise) by David Fieldsend, National Symphony Orchestra, Valerie Masterson having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Massenet: Don Quichotte, Act 1: "Elle m'aime et va me revenir" (Don Quichotte, Dulcinée) | Jules Massenet, Michel Plasson, José van Dam, Teresa Berganza, Orchestre Du Capitole De Toulouse | G Minor | 0 | 6A | 78 BPM | ||
Verdi: Otello: Atto Secondo: Dove guardi splendono | Giuseppe Verdi, Jonas Kaufmann, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | E Minor | 0 | 9A | 82 BPM | ||
Ave María | Sigvaldi Kaldalóns, Karlakórinn Heimir | G Major | 2 | 9B | 99 BPM | ||
A Child of our Time, Part I: Chorus of the Oppressed. When shall the usurer's city cease? (Chorus) | Michael Tippett, BBC Symphony Chorus, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM | ||
Faust, CG 4, Act IV Scene 4: We seek the soldier's immortal prize (Chorus) | Charles Gounod, David Parry, Philharmonic Orchestra, Geoffrey Mitchell Choir | D♭ Minor | 4 | 12A | 146 BPM | ||
The Pirates of Penzance: When the Foe-Man Bares His Steel | Marilyn Hill Smith, Patricia Cameron, Simon Masterson Smith | D Major | 3 | 10B | 59 BPM | ||
My Life Belongs to You (Reprise) | David Fieldsend, National Symphony Orchestra | C Major | 3 | 8B | 89 BPM | ||
Orff: Carmina Burana, Introduction, Fortuna Imperatrix Mundi: O Fortuna | Carl Orff, Agnes Giebel/Paul Kuen/Marcel Cordes/Chor des Westdeutschen Rundfunks/Children's Choir/Kölner Rundfunk-Sinfonie-Orchester/Wolfgang Sawallisch, Chor des Westdeutschen Rundfunks, Wolfgang Sawallisch, Kölner Rundfunk-Sinfonie-Orchester | E Major | 0 | 12B | 87 BPM | ||
Evening Songs, Op. 3: No. 7, Když jsem se díval do nebe | Antonín Dvořák, Magdalena Kozená, Czech Philharmonic, Sir Simon Rattle | G Minor | 1 | 6A | 97 BPM | ||
Messa da Requiem for Soloists, Chorus and Orchestra: I. Requiem & Kyrie | Giuseppe Verdi, Leonard Bernstein, London Symphony Orchestra | A Major | 1 | 11B | 83 BPM |
Section: 0.6521570682525635
End: 0.6564514636993408