- BPM
- 168
- Key
- G Major
- Camelot
- 9B
Habanera - Ernesto Halffter, Martin Jones Information
- Acousticness
- 99%
- Danceability
- 31%
- Energy
- 1%
- Instrumentalness
- 92%
- Liveness
- 8%
- Loudness
- 44%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 5%
- Loudness
- -33.832 dB
Summary
"Habanera" by Ernesto Halffter, Martin Jones was released on November 1, 2009. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Ernesto Halffter, Martin Jones's "Halffter: The Piano Music" album is number 17 out of 23. The popularity of Habanera is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Habanera BPM
We consider the tempo marking of Habanera by Ernesto Halffter, Martin Jones to be Vivace (lively and fast) because the track has a tempo of 168 BPM, a half-time of 84BPM, and a double-time of 336 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
Habanera Key
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Suite española No. 1, Op. 47: Aragón (Fantasia) | Isaac Albéniz, Alicia de Larrocha | F Major | 1 | 7B | 79 BPM | |
 | 12 Romances, Op. 21: No. 7, How Fair this Spot (Arr. for Piano Trio by Alexander Panfilov) | Sergei Rachmaninoff, Christoph Croisé, Andrey Baranov, Alexander Panfilov | D Major | 0 | 10B | 132 BPM | |
 | Valses Poéticos H. 147, DLR 7:8: No. 7: Vivo | Enrique Granados, Xavier De Maistre | A Major | 0 | 11B | 50 BPM | |
 | Four Scenes of Childhood: I. Good Morning | Franz Waxman, Patrick Savage, Martin Cousin | A Minor | 1 | 8A | 90 BPM | |
 | Scherzo No. 2 in B-Flat Minor, Op. 31: Presto | Frédéric Chopin, Martha Argerich | D♭ Major | 1 | 3B | 74 BPM | |
 | Piano Concerto No. 2 in G Minor, Op. 22, R. 190: III. Presto | Camille Saint-Saëns, Alexandre Kantorow, Tapiola Sinfonietta, Jean-Jacques Kantorow | G Minor | 2 | 6A | 113 BPM | |
 | Fugue in G Major | Markolyno | D Minor | 0 | 7A | 110 BPM | |
 | Piano Concerto in A Minor, Op. 7: Romanze: Andante non troppo con grazia | Clara Schumann, Francesco Nicolosi, Alma Mahler Sinfonietta, Stefania Rinaldi | G Minor | 7 | 6A | 100 BPM | |
 | La vida breve: Act I Tableau I, Scene 4: Salud! Que? Que pasa? (Grandmother, Salud) | Manuel de Falla, Rosario Gomez, Victoria de los Ángeles, Orquesta Sinfónica de Barcelona, Ernesto Halffter | F Minor | 1 | 4A | 91 BPM | |
 | Ancient Airs & Dances, Suite No. 3, P. 172: I. Italiana | Ottorino Respighi, Tonkünstler-Orchester, Yutaka Sado | B♭ Major | 1 | 6B | 92 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7251291275024414
End: 0.7293691635131836