"24 Short Progressive Pieces, Op. 44: No. 7, Andante allegro" by Fernando Sor, Enea Leone was released on August 8, 2014. With 24 Short Progressive Pieces, Op. 44: No. 7, Andante allegro being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 121 in the song's album "Sor: Complete Studies for Guitar". In this album, this song's track order is #55. Furthermore, we believe that the track originated from Netherlands. 24 Short Progressive Pieces, Op. 44: No. 7, Andante allegro is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With 24 Short Progressive Pieces, Op. 44: No. 7, Andante allegro by Fernando Sor, Enea Leone having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Canción y danza: Danza No. 1 | Antonio Ruiz Pipó, Wolfgang Weigel | D Major | 2 | 10B | 118 BPM | ||
Guitar Sonatina, Op. 52, No. 1: I. Allegretto | Lennox Berkeley, Kyuhee Park | D Major | 1 | 10B | 117 BPM | ||
Chopin / Arr. Barrios Mangoré: 24 Preludes, Op. 28: No. 20 in C Minor | Frédéric Chopin, Thibaut García | C Major | 0 | 8B | 89 BPM | ||
Prelude XII | Per-Olov Kindgren | C Major | 1 | 8B | 99 BPM | ||
Carcassi Op.60 N.6 Moderato | Matteo Carcassi, Lucio Matarazzo | G Major | 2 | 9B | 83 BPM | ||
Suite No. 1 in D Major (Orig. G Major), BWV 1007: I. Prélude | Michael Nicolella | D Major | 3 | 10B | 82 BPM | ||
Suite espanola No. 1, Op. 47 (arr. J. Vieaux): IV. Cadiz (Cancion) | Jason Vieaux, Isaac Albéniz | A Major | 1 | 11B | 95 BPM | ||
Homenaje a Toulouse-Lautrec | Eduardo Sainz De La Maza, Sven Lundestad | B Minor | 1 | 10A | 82 BPM | ||
Hora libre (Free Hour) | Victor Villadangos | G Major | 1 | 9B | 98 BPM | ||
Lieder ohne Worte (Songs without Words), Book 7, Op. 85: Song without Words, Op. 85, No. 2 | Felix Mendelssohn, Gerald Garcia | E Minor | 2 | 9A | 64 BPM |
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