"Sexton Songs (Version for Voice & Chamber Ensemble): No. 2, Her Kind" by David Conte, Marnie Breckenridge, New Music Ensemble, Nicole Paiement was released on August 17, 2018. The duration of Sexton Songs (Version for Voice & Chamber Ensemble): No. 2, Her Kind is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Sexton Songs (Version for Voice & Chamber Ensemble): No. 2, Her Kind's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 23 in Everyone Sang: Vocal Music of David Conte by David Conte, Various Artists, Marika Kuzma, Nicole Paiement, Eric Dudley. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Sexton Songs (Version for Voice & Chamber Ensemble): No. 2, Her Kind is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sexton Songs (Version for Voice & Chamber Ensemble): No. 2, Her Kind by David Conte, Marnie Breckenridge, New Music Ensemble, Nicole Paiement is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Invocation and Dance: Dance | David Conte, Texas All-State Men's Choir, Carl V. Braden, Jon Marcum, Jonathan Reed | E Major | 3 | 12B | 159 BPM | ||
Das Blümelein so kleine | Torbjørn Dyrud, Nidaros Domkor, Vivianne Sydnes | G Minor | 0 | 6A | 140 BPM | ||
Firebird Motel: Scene 1: The Graveyard Shift: Dont keep him waiting, he hates to wait (Tropper, Corina, Ivan) | David Conte, Micah Epps, Shawnette Sulker, Mark Hernandez, San Francisco Conservatory Chamber Ensemble, Jeffrey Thomas | D Major | 1 | 10B | 78 BPM | ||
Requiem, Op. 9: VIII. Libera me | Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Chœur de filles Cæcilia, Yves Castagnet, Christophe Gautier, Henri Chalet, Alice Korovitch | B♭ Major | 0 | 6B | 131 BPM | ||
The Gift of the Magi: Scene 4: Jim, it's for your watch … A proper chain to wear it proudly (Della, Jim) | David Conte, Aimée Puentes, Tim Krol, San Francisco New Music Ensemble, Nicole Paiement | B♭ Minor | 1 | 3A | 81 BPM | ||
4 Hölderlin-Fragmente: No. 4, Ihr wandelt droben im Licht | Friedrich Cerha, SWR Vokalensemble Stuttgart, Marcus Creed | F♯ Minor | 1 | 11A | 141 BPM | ||
Mass in G Minor: II. Gloria | Ralph Vaughan Williams, The Choir Of Westminster Abbey, James O'Donnell | C Major | 1 | 8B | 71 BPM | ||
The Lord's My Shepherd SHZ 371b | Laestadian Lutheran Church, Laurel Loukusa, Liisa Keranen, Aamos Anderson, Aabel Anderson | F Major | 2 | 7B | 74 BPM | ||
Anonymous / Transcr. Revert: Victimae paschali laudes | Anonymous, Maitrise Notre-Dame De Paris, Yves Castagnet, Henri Chalet | B♭ Major | 1 | 6B | 78 BPM | ||
Psalm 100: "Jauchzet dem Herrn, alle Welt", MWV B. 45 | Felix Mendelssohn, MDR Leipzig Radio Choir, Philipp Ahmann | F Major | 1 | 7B | 75 BPM |
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