Maria Reining's 'Der Männer Sippe sass hier im Saale (Die Walküre)' came out on September 9, 2006. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 12 out of 18 in Four Austrian Sopranos of the Past by Maria Reining. Der Männer Sippe sass hier im Saale (Die Walküre) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Der Männer Sippe sass hier im Saale (Die Walküre) by Maria Reining is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
5 mélodies populaires grecques: No. 3, Quel galant m'est comparable | Radio Bratislava Symphony Orchestra, Paulina Stark, Dennis Burkh | G Major | 1 | 9B | 0 BPM | ||
Die Fledermaus: Act I: Duet: Komm mit mir zum Souper (Eisenstein, Falke) | Johann Strauss II, Paul Armin Edelmann, Miljenko Turk, Cologne West German Radio Orchestra, Friedrich Haider | F♯ Major | 0 | 2B | 169 BPM | ||
Don Sanche (The Castle of Love), S476/R13: Part I: Recitative and Arioso: Sous cette voute de feuillage ... (Under this foliage tent, Zelis ...) (Elzire, Don Sanche) | Franz Liszt, Gérard Garino, Julia Hamari, Istvan Gati, Katalin Farkas, Ildiko Komlosi, Mária Zádori, Gábor Kállay, Hungarian Radio and Television Chorus, Hungarian State Opera Orchestra, Tamas Pal | E Major | 2 | 12B | 90 BPM | ||
La Rosa del Azafrán: Nocturno: "Ronda. Como Soy, Nena Mía" | Jacinto Guerrero, Nicasio Tejada | E Major | 9 | 12B | 89 BPM | ||
Stabat Mater, FP 148: VI. Vidit suum | Francis Poulenc, Marianne Croux, Ensemble Aedes, Les Siècles | G Major | 1 | 9B | 113 BPM | ||
Der Rosenkavalier, Op. 59, TrV 227: Act III: Spur nur dich allein (Octavian, Sophie, Faninal, Marschallin) | Richard Strauss, Erna Berger, Elisabeth Grümmer, Karl Kamann, Maria Reining, Bavarian State Orchestra, Erich Kleiber | G Major | 1 | 9B | 83 BPM | ||
A te, SC 8 (Arr. for Voice & Orchestra by Johannes X. Schachtner) | Giacomo Puccini, Charles Castronovo, Munich Radio Orchestra, Ivan Repušić | C Major | 4 | 8B | 103 BPM | ||
Saint-Saëns: Samson et Dalila, Op. 47, Act 1: "Maudite à jamais soit la race des enfants d'Israël !" (Grand Prêtre) | Camille Saint-Saëns, Ernest Blanc, Orchestre De La Société Des Concerts Du Conservatoire, Georges Prêtre | D♭ Major | 2 | 3B | 136 BPM | ||
Donizetti: Lucia di Lammermoor, Act 2: "Appressati, Lucia" (Enrico) | Gaetano Donizetti, Tullio Serafin, Tito Gobbi, Orchestra del Maggio Musicale Fiorentino | C Major | 0 | 8B | 72 BPM | ||
8 Gedichte aus 'Letzte Blätter', Op. 10, TrV 141: No. 8, Allerseelen (Arr. R. Heger for Soprano & Orchestra) | Richard Strauss, Hanna-Elisabeth Müller, WDR Sinfonieorchester Köln, Christoph Eschenbach | B♭ Major | 0 | 6B | 82 BPM |
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