Heitor Villa-Lobos, Julian Byzantine's 'Chôro No. 1 in E minor [not G major]' had a release date set for March 4, 2002. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 19 in the song's album "Popular Guitar Classics". In this album, this song's track order is #10. Chôro No. 1 in E minor [not G major] is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Chôro No. 1 in E minor [not G major] by Heitor Villa-Lobos, Julian Byzantine having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Petite Suite de Concert, Op. 77: III. Un sonnet d'amour | Samuel Coleridge-Taylor, Chineke! Orchestra, Anthony Parnther | D Major | 0 | 10B | 62 BPM | ||
La Frontera de Dios: III. Idilio | Regino Sáinz de la Maza, Franz Halász | B Major | 1 | 1B | 110 BPM | ||
Keyboard Sonata in D Minor, K.32/L.423/P.14 (arr. Kyuhee Park for guitar) | Domenico Scarlatti, Kyuhee Park | E Minor | 0 | 9A | 137 BPM | ||
Slavonic Dance No. 2 in E minor, Op. 72 | Boston Symphony Orchestra, Yo-Yo Ma, Boston Symphony Orchestra, Seiji Ozawa, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman | E Minor | 1 | 9A | 70 BPM | ||
Etude No. 6 (arr. of F. Sor: 24 Very Easy Exercises Op. 35 No. 17) | Fernando Sor, Roland Dyens, Quatuor Arthur. Le Blanc | G Major | 0 | 9B | 126 BPM | ||
7 Paulistanas: Paulistana No. 1 | Claudio Santoro, Arnaldo Cohen | D♭ Major | 0 | 3B | 78 BPM | ||
6 Chorale Preludes, BV B 50: Herzlich tut mich verlangen, Op. 122/10 | Johannes Brahms, Ferruccio Busoni, Igor Levit | A Minor | 0 | 8A | 84 BPM | ||
3 Pieces for cello and piano: No. 2. Sans vitesse et a l'aise | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | F Major | 0 | 7B | 83 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 1 | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 134 BPM | ||
Valse Elegante | Francisco Mignone, Nelson Freire | F♯ Major | 0 | 2B | 64 BPM |