Claudio Santoro, Arnaldo Cohen's '7 Paulistanas: Paulistana No. 1' had a release date set for October 31, 2001. With This song being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 31 in Brasiliana: Three Centuries of Brazilian Music by Arnaldo Cohen. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. 7 Paulistanas: Paulistana No. 1 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 7 Paulistanas: Paulistana No. 1 by Claudio Santoro, Arnaldo Cohen is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Choral-Vatiationen: Var. I. In canone all'Ottava | Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent | C Major | 1 | 8B | 93 BPM | ||
7 Paulistanas: Paulistana No. 1 | Claudio Santoro, Arnaldo Cohen | D♭ Major | 0 | 3B | 78 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
5 Preludes, Op. 16: IV. Prelude No. 4 in E-Flat Minor: Lento | Alexander Scriabin, Evgeny Zarafiants | A Minor | 0 | 8A | 129 BPM | ||
Mazurka in C Minor | Mikhail Glinka, Inga Fiolia | C Minor | 0 | 5A | 106 BPM | ||
Franck: Prélude, fugue et variation, Op. 18, FWV 30: Variation | César Franck, Aldo Ciccolini | B Minor | 0 | 10A | 149 BPM | ||
Suite Brasileira No. 2: II. Moda | Oscar Lorenzo Fernández, Arnaldo Cohen | B Major | 0 | 1B | 75 BPM | ||
Deux Arabesques, L. 66: No. 1 Andante con moto | Claude Debussy, Menahem Pressler | F♯ Minor | 0 | 11A | 129 BPM | ||
Preludio Nº 1 para Piano | Claudio Santoro, Maria Ines Guimaraes | C Major | 1 | 8B | 104 BPM | ||
Congada (Danca brasileira) | Francisco Mignone, Arnaldo Cohen | A Major | 2 | 11B | 81 BPM |