"The Sleeping Beauty, Op.66, TH.13: 1. Overture" by Nicolette Fraillon, Orchestra Victoria was released on 1981. The duration of The Sleeping Beauty, Op.66, TH.13: 1. Overture is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. The Sleeping Beauty, Op.66, TH.13: 1. Overture's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists's "My First Ballet Album" album is number 13 out of 24. On top of that, Australia appears to be the country where this track was created. Based on our statistics, The Sleeping Beauty, Op.66, TH.13: 1. Overture's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Sleeping Beauty, Op.66, TH.13: 1. Overture by Nicolette Fraillon, Orchestra Victoria to be Allegro (fast, quick, and bright) because the track has a tempo of 142 BPM, a half-time of 71BPM, and a double-time of 284 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Fairies | Lior Rosner, Jeremy Irons, Scott Dunn, Royal Philharmonic Orchestra | A♭ Minor | 1 | 1A | 105 BPM | ||
Violin Concerto In E, RV 271 "L'amoroso": 1. Allegro | Antonio Vivaldi, Thomas Brandis, Berliner Philharmoniker, Herbert von Karajan | E Major | 2 | 12B | 97 BPM | ||
Cascanueces suite, Op. 71a: No. 6, Danza china | Orquesta Filarmonica de Alemania, Wilèm Oderich | F Major | 3 | 7B | 199 BPM | ||
Paquita: Coda: Allegro moderato | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | D Major | 1 | 10B | 201 BPM | ||
Giselle / Act 2: Grand pas de deux: Adage | Adolphe Adam, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | E♭ Major | 0 | 5B | 73 BPM | ||
The Nutcracker Suite, Op. 71a, TH 35: IIc. Russian Dance "Trépak" | Pyotr Ilyich Tchaikovsky, Bamberg Symphony, Luxembourg Radio Orchestra, Jonel Perlea, Heinrich Hollreiser, Louis de Froment | G Major | 4 | 9B | 80 BPM | ||
Russian Dance: Trepak | The Endless Orchestra | D Major | 3 | 10B | 81 BPM | ||
The Nutcracker, Op. 71, Act I, Scene II: March | The City of Prague Philharmonic Orchestra, Friedmann Riehle | E Minor | 2 | 9A | 71 BPM | ||
Act II. Scene near the Lake | Moscow New Philharmonic Orchestra, Vladimir Ponkin | E Minor | 2 | 9A | 79 BPM | ||
Swan Lake, Op. 20a: III. Danse des cygnes | Radio Bratislava Symphony Orchestra | D Minor | 8 | 7A | 149 BPM |
Section: 0.8330645561218262
End: 0.836289644241333