Le Villi - Opera in 2 Acts / Act 2: La Tregenda (The Witches' Sabbath)
Giacomo Puccini, Tasmanian Symphony Orchestra, Andrew Greene
Halloween Classics
4:06 October 5, 2012
BPM
171
Key
C Minor
Camelot
5A

Embed

Share Link

Le Villi - Opera in 2 Acts / Act 2: La Tregenda (The Witches' Sabbath) - Giacomo Puccini, Tasmanian Symphony Orchestra, Andrew Greene Information

Acousticness
92%
Danceability
27%
Energy
36%
Instrumentalness
91%
Liveness
31%
Loudness
75%
Speechiness
7%
Valence
25%
Popularity
Loudness
-14.748 dB

Summary

Giacomo Puccini, Tasmanian Symphony Orchestra, Andrew Greene's 'Le Villi - Opera in 2 Acts / Act 2: La Tregenda (The Witches' Sabbath)' came out on October 5, 2012. With this song being around four minutes long, at 4:06, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Tasmanian Symphony Orchestra, Andrew Greene's "Halloween Classics" album is number 7 out of 25. The popularity of Le Villi - Opera in 2 Acts / Act 2: La Tregenda (The Witches' Sabbath) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Le Villi - Opera in 2 Acts / Act 2: La Tregenda (The Witches' Sabbath) BPM

We consider the tempo marking of Le Villi - Opera in 2 Acts / Act 2: La Tregenda (The Witches' Sabbath) by Giacomo Puccini, Tasmanian Symphony Orchestra, Andrew Greene to be Vivace (lively and fast) because the track has a tempo of 171 BPM, a half-time of 86BPM, and a double-time of 342 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.

Le Villi - Opera in 2 Acts / Act 2: La Tregenda (The Witches' Sabbath) Key

This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Rigoletto - Bella Figlia Dell'Amore by Luciano Pavarotti, Adriana Lazzarini, Piero Cappuccilli, Margherita RinaldiRigoletto - Bella Figlia Dell'AmoreLuciano Pavarotti, Adriana Lazzarini, Piero Cappuccilli, Margherita RinaldiD♭ Major23B61 BPM
The Bohemian Girl - Arr. By Karel Mark Chichon: I Dreamt I Dwelt In Marble Halls by Michael William Balfe, Elina Garanca, Orchestra Sinfonica Nazionale Della RAI, Karel Mark ChichonThe Bohemian Girl - Arr. By Karel Mark Chichon: I Dreamt I Dwelt In Marble HallsMichael William Balfe, Elina Garanca, Orchestra Sinfonica Nazionale Della RAI, Karel Mark ChichonD Major110B87 BPM
E' Strano... Follie... Sempre Libera - la Traviata Atto I by Renata TebaldiE' Strano... Follie... Sempre Libera - la Traviata Atto IRenata TebaldiC Major28B74 BPM
Le Nozze di Figaro, K. 492: Atto primo. Scene 1 & 2. N.1 Duettino Figaro, Susanna Le Nozze di Figaro, K. 492: Atto primo. Scene 1 & 2. N.1 Duettino Figaro, Susanna "Cinque... dieci... venti..."Wolfgang Amadeus Mozart, René Jacobs, Lorenzo Regazzo, Concerto Köln, Patrizia CiofiG Major19B134 BPM
La Sonnambula / Act 2: Ah, non credea mirarti by Vincenzo Bellini, Cecilia Bartoli, International Chamber Soloists, Orchestra La Scintilla, Ádám FischerLa Sonnambula / Act 2: Ah, non credea mirartiVincenzo Bellini, Cecilia Bartoli, International Chamber Soloists, Orchestra La Scintilla, Ádám FischerA Minor18A109 BPM
Sapho - opera in 3 Acts / Act 3: O ma lyre immortelle by Charles Gounod, Elina Garanca, Filarmonica del Teatro Comunale di Bologna, Yves AbelSapho - opera in 3 Acts / Act 3: O ma lyre immortelleCharles Gounod, Elina Garanca, Filarmonica del Teatro Comunale di Bologna, Yves AbelB♭ Minor13A84 BPM
Tosca: Act II: Vissi d'arte, vissi d'amore (Tosca, Scarpia) by Giacomo Puccini, Nelly Miricioiu, Giorgio Lamberti, Silvano Carroli, Andrea Piccinni, Miroslav Dvorský, Jan Durco, Stanislav Beňačka, Jozef Spacek, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Raimo Sirkia, Slovak Chamber Choir, Alexander Rahbari, Markus LehtinenTosca: Act II: Vissi d'arte, vissi d'amore (Tosca, Scarpia)Giacomo Puccini, Nelly Miricioiu, Giorgio Lamberti, Silvano Carroli, Andrea Piccinni, Miroslav Dvorský, Jan Durco, Stanislav Beňačka, Jozef Spacek, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Raimo Sirkia, Slovak Chamber Choir, Alexander Rahbari, Markus LehtinenA♭ Major34B176 BPM
Tannhäuser / Act 3: Wie Todesahnung... O du mein holder Abendstern (Wolfram) by Richard Wagner, Bryn Terfel, Metropolitan Opera Orchestra, James LevineTannhäuser / Act 3: Wie Todesahnung... O du mein holder Abendstern (Wolfram)Richard Wagner, Bryn Terfel, Metropolitan Opera Orchestra, James LevineC Major38B99 BPM
Delibes : Lakmé : Act 2 The Bell Song [Lakmé] by Léo Delibes, Sumi Jo, Paolo Olmi, Monte-Carlo Philharmonic OrchestraDelibes : Lakmé : Act 2 The Bell Song [Lakmé]Léo Delibes, Sumi Jo, Paolo Olmi, Monte-Carlo Philharmonic OrchestraG Major19B132 BPM
Lakmé / Act 1: Lakmé / Act 1: "Viens, Mallika, ... Dôme épais" (Flower Duet)Léo Delibes, Dame Joan Sutherland, Jane Berbié, Orchestre National de l'Opéra de Monte-Carlo, Richard BonyngeB Major11B84 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.7340788841247559

End: 0.7392315864562988