"Hans' First Visit to the Mill" by Carlo Innocenzi was released on 1960. With Hans' First Visit to the Mill being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 12 in the song's album "The Mill of the Stone Women (Original Movie Soundtrack)". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Canada. In terms of popularity, Hans' First Visit to the Mill is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Hans' First Visit to the Mill by Carlo Innocenzi having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Traviata: "Intermezzo" | Yuri Sazonoff & Jerry Caringi | B Major | 1 | 1B | 127 BPM | ||
Norma, Act I: "Casta diva" | Vincenzo Bellini, Leontyne Price, Henry Lewis | F Major | 1 | 7B | 178 BPM | ||
Over the Stone: IV. Crossing the Stone | Karl Jenkins, Alis Huws, Coronation Orchestra, Antonio Pappano | F Minor | 1 | 4A | 63 BPM | ||
La sonnambula, Act I: Come per me sereno | Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | E♭ Major | 1 | 5B | 88 BPM | ||
Spartacus: Adagio of Spartacus and Phrygia | Aram Khachaturian, Wiener Philharmoniker | A♭ Major | 1 | 4B | 129 BPM | ||
Offenbach: Les Contes d'Hoffmann, Act 4: "Belle nuit, ô nuit d'amour" (Arr. for Trumpet & Orchestra) | Jacques Offenbach, Lucienne Renaudin Vary, Erik Truffaz, Roberto Rizzi Brignoli, Orchestre National de Lille | D Major | 1 | 10B | 84 BPM | ||
Bizet: Les Pêcheurs de perles, Act 1: "Au fond du temple saint" (Nadir, Zurga) | Georges Bizet, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique | E♭ Major | 2 | 5B | 88 BPM | ||
Concerto For Piano & Orchestra - Movement 1 - The Smile | Nigel Hess, Lang Lang, London Chamber Orchestra, Christopher Warren-Green | E♭ Major | 2 | 5B | 100 BPM | ||
Valse triste, Op. 44 | Jean Sibelius, Boston Symphony Orchestra, Sir Colin Davis | D Major | 2 | 10B | 112 BPM | ||
John Dunbar Theme - From "Dances With Wolves" | John Barry, Hollywood Bowl Orchestra, John Mauceri | E♭ Major | 1 | 5B | 98 BPM |
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