Jean-Baptiste Lully, Marie Lys, Deborah Cachet, Les Talens Lyriques, Christophe Rousset's 'Thésée, LWV 51, Acte troisième Scène 1: "Vous allez bientôt voir votre amant dans ces lieux" (Cléone, Églé)' came out on October 13, 2023. The duration of Thésée, LWV 51, Acte troisième Scène 1: "Vous allez bientôt voir votre amant dans ces lieux" (Cléone, Églé) is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Thésée, LWV 51, Acte troisième Scène 1: "Vous allez bientôt voir votre amant dans ces lieux" (Cléone, Églé)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jean-Baptiste Lully, Les Talens Lyriques, Christophe Rousset's "Lully: Thésée" album is number 14 out of 84. On top of that, France appears to be the country where this track was created. The popularity of Thésée, LWV 51, Acte troisième Scène 1: "Vous allez bientôt voir votre amant dans ces lieux" (Cléone, Églé) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Thésée, LWV 51, Acte troisième Scène 1: "Vous allez bientôt voir votre amant dans ces lieux" (Cléone, Églé) by Jean-Baptiste Lully, Marie Lys, Deborah Cachet, Les Talens Lyriques, Christophe Rousset to be Vivace (lively and fast) because the track has a tempo of 174 BPM, a half-time of 87BPM, and a double-time of 348 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gli uccelli (The Birds), P. 154: V. Il cucu: Allegro | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | A Major | 1 | 11B | 117 BPM | ||
Pergolesi: Stabat Mater: III. O quam tristis et afflicta | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Minor | 1 | 11A | 111 BPM | ||
Concerto grosso No. 1 in D Major, Op. 6: II. Largo - Allegro | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 146 BPM | ||
Bach: Brandenburg Concerto No. 2 in F Major, BWV 1047: I. (without tempo indication) | Johann Sebastian Bach, Mark Bennett, Rachel Beckett, Paul Goodwin, Monica Huggett, Orchestra of the Age of Enlightenment | E Major | 3 | 12B | 97 BPM | ||
Purcell: Dido and Aeneas, Z. 626: Overture | Henry Purcell, Emmanuelle Haïm, Le Concert d'Astrée | B Minor | 3 | 10A | 100 BPM | ||
Violin Sonata in B-Flat Major, Op. 5 No. 2: III. Vivace | Arcangelo Corelli, Lina Tur Bonet, Musica Alchemica | A♭ Major | 3 | 4B | 83 BPM | ||
Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": I. Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A Major | 1 | 11B | 86 BPM | ||
Choral-Vatiationen: Var. I. In canone all'Ottava | Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent | C Major | 1 | 8B | 93 BPM | ||
Concerto Grosso in E Minor, Op. 3, No. 3: IV. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | E Minor | 3 | 9A | 144 BPM | ||
Le Bourgeois Gentilhomme: Les trois espagnols ensemble | Jean-Baptiste Lully, La Simphonie Du Marais, Hugo Reyne, Philippe Roche, Bruno Boterf, Yves Coudray | F♯ Minor | 1 | 11A | 101 BPM |
Section: 0.5998432636260986
End: 0.6026241779327393