- BPM
- 89
- Key
- A♭ Major
- Camelot
- 4B
La Traviata · Oper in 3 Akten · Arien und Szenen in deutscher Sprache (2001 - Remaster), Dritter Akt: - Vorspiel [Preludio] (Orchester) - Francesco Maria Piave, Giuseppe Verdi, Orchester der Deutschen Staatsoper Berlin/Wilhelm Schüchter/Rudolf Schock, Wilhelm Schuechter, Wilhelm Schüchter, Orchester Der Deutschen Staatsoper Berlin Information
- Acousticness
- 84%
- Danceability
- 16%
- Energy
- 5%
- Instrumentalness
- 81%
- Liveness
- 20%
- Loudness
- 60%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 0%
- Loudness
- -24.296 dB
Summary
"La Traviata · Oper in 3 Akten · Arien und Szenen in deutscher Sprache (2001 - Remaster), Dritter Akt: - Vorspiel [Preludio] (Orchester)" by Francesco Maria Piave, Giuseppe Verdi, Orchester der Deutschen Staatsoper Berlin/Wilhelm Schüchter/Rudolf Schock, Wilhelm Schuechter, Wilhelm Schüchter, Orchester Der Deutschen Staatsoper Berlin was released on December 7, 2012. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Verdi auf Deutsch: La Traviata by Giuseppe Verdi, Francesco Maria Piave, Josef Metternich/Melitta Muszely. The song's track number on the album is #19 out of 25 tracks. La Traviata · Oper in 3 Akten · Arien und Szenen in deutscher Sprache (2001 - Remaster), Dritter Akt: - Vorspiel [Preludio] (Orchester) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
La Traviata · Oper in 3 Akten · Arien und Szenen in deutscher Sprache (2001 - Remaster), Dritter Akt: - Vorspiel [Preludio] (Orchester) BPM
Since La Traviata · Oper in 3 Akten · Arien und Szenen in deutscher Sprache (2001 - Remaster), Dritter Akt: - Vorspiel [Preludio] (Orchester) by Francesco Maria Piave, Giuseppe Verdi, Orchester der Deutschen Staatsoper Berlin/Wilhelm Schüchter/Rudolf Schock, Wilhelm Schuechter, Wilhelm Schüchter, Orchester Der Deutschen Staatsoper Berlin has a tempo of 89 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With La Traviata · Oper in 3 Akten · Arien und Szenen in deutscher Sprache (2001 - Remaster), Dritter Akt: - Vorspiel [Preludio] (Orchester) being at 89 BPM, the half-time would be 44 BPM with a double-time of 178 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
La Traviata · Oper in 3 Akten · Arien und Szenen in deutscher Sprache (2001 - Remaster), Dritter Akt: - Vorspiel [Preludio] (Orchester) Key
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | |
 | 4 Letzte Lieder, TrV 296: No. 2, September | Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann | F♯ Major | 1 | 2B | 81 BPM | |
 | 5 German Dances, D.89 (D.90) - Arranged For 7 Trios And 1 Coda For String Quartett: 1. Deutscher Tanz - Trio I - Trio II In C Major | Franz Schubert, Gidon Kremer, Gabrielle Lester, Diemut Poppen, Richard Lester, Chamber Orchestra of Europe | C Major | 0 | 8B | 133 BPM | |
 | La damnation de Faust, H. 111: Marche hongroise | Hector Berlioz, Semyon Bychkov, Wiener Philharmoniker | A Major | 2 | 11B | 86 BPM | |
 | Gounod: Faust, Act 3: "Les grands seigneurs ... Ah ! je ris de me voir si belle" (Marguerite) | Charles Gounod, Elsa Dreisig, Michael Schønwandt, Orchestre national de Montpellier Occitanie | D Major | 1 | 10B | 100 BPM | |
 | Puccini: Tosca, Act 3 Scene 4: "Com'è lunga l'attesa!" (Tosca) | Giacomo Puccini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Victor de Sabata | B Major | 5 | 1B | 88 BPM | |
 | Lucrezia Borgia / Act 2: Era desso il figlio mio | Gaetano Donizetti, Renée Fleming, Coro del Maggio Musicale Fiorentino, Orchestra of St. Luke's, Patrick Summers | B♭ Minor | 1 | 3A | 98 BPM | |
 | Requiem, Op.48: 5. Agnus Dei (Chorus) | Gabriel Fauré, Philharmonia Orchestra, Carlo Maria Giulini, Timothy Farrell, Philharmonia Chorus London, Horst Neumann | B♭ Major | 2 | 6B | 88 BPM | |
 | Purcell: Dido and Aeneas, Z. 626, Act III: Song. "When I Am Laid in Earth" (Dido) | Henry Purcell, William Christie, Véronique Gens, Les Arts Florissants | F♯ Minor | 0 | 11A | 80 BPM | |
 | Pavane, Op. 50 | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus | F Major | 2 | 7B | 98 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6827280521392822
End: 0.6865239143371582