Hector Berlioz, Semyon Bychkov, Wiener Philharmoniker made "La damnation de Faust, H. 111: Marche hongroise" available on June 10, 2016. With this song being about 5 minutes long, at 5:20, "La damnation de Faust, H. 111: Marche hongroise" by Hector Berlioz, Semyon Bychkov, Wiener Philharmoniker is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 12 in the song's album "Sommernachtskonzert 2016 / Summer Night Concert 2016". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. La damnation de Faust, H. 111: Marche hongroise is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With La damnation de Faust, H. 111: Marche hongroise by Hector Berlioz, Semyon Bychkov, Wiener Philharmoniker having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Grieg: Peer Gynt, Op. 23, Act IV: No. 16, Anitra's Dance | Edvard Grieg, Paavo Järvi, Estonian National Symphony Orchestra | A Major | 1 | 11B | 161 BPM | ||
Roman Carnaval, Op. 9, H. 95: Le carnaval romain, Op. 9 | Hector Berlioz, Orchestre National De Lyon, Leonard Slatkin | A Major | 0 | 11B | 89 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance III | Alexander Borodin, Paavo Järvi, Orchestre Philharmonique de Radio France | F Major | 1 | 7B | 74 BPM | ||
Les nuits d'été, Op. 7: Au cimetiere: Clair de lune (At the Cemetery: Moonlight) | Hector Berlioz, Elsa Maurus, Orchestre National de Lille, Jean-Claude Casadesus | A Major | 1 | 11B | 86 BPM | ||
M. Glinka: Overture To Opera "Ruslan and Lyudmila" | Chicago Symphony Orchestra, L. Smit | A Major | 1 | 11B | 82 BPM | ||
L'italiana in Algeri: Overture | Gioachino Rossini, Wiener Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 154 BPM | ||
Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Edita Gruberova, Claudia Eder, Orchestre National De France, Seiji Ozawa, Choeurs de Radio France | D Major | 1 | 10B | 101 BPM | ||
Jenufa / Act 2: Co chvila ... co chvila | Leoš Janáček, Eva Randová, Wiener Philharmoniker, Sir Charles Mackerras | B Major | 2 | 1B | 77 BPM | ||
Pelléas et Mélisande, L.88 / Act 3: "Mes longs cheveux descendent" | Claude Debussy, Francois Le Roux, Maria Ewing, Wiener Philharmoniker, Claudio Abbado | A Minor | 1 | 8A | 123 BPM | ||
Le Bourgeois Gentilhomme (1670): Marche pour la cérémonie des Turcs | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | F♯ Minor | 4 | 11A | 82 BPM |
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