Johann Sebastian Bach, Helmut Walcha's 'Toccata And Fugue In D Minor, BWV 565: 1.Toccata' came out on January 1, 1986. The duration of Toccata And Fugue In D Minor, BWV 565: 1.Toccata is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Toccata And Fugue In D Minor, BWV 565: 1.Toccata's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 12 in Bach, J.S.: Toccata & Fugue BWV 565; Organ Works BWV 534, 542, 564 & 525 by Johann Sebastian Bach, Helmut Walcha. Toccata And Fugue In D Minor, BWV 565: 1.Toccata is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Toccata And Fugue In D Minor, BWV 565: 1.Toccata by Johann Sebastian Bach, Helmut Walcha is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peer Gynt Suite No.1 op. 46 In the Hall of the Mountain King (Alla marciia e molto marcato) | Academy of St. Martin in the Fields | E Minor | 2 | 9A | 132 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: II. Adagio | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | B♭ Major | 1 | 6B | 75 BPM | ||
The 4 Seasons: Violin Concerto in F major, Op. 8, No. 3, RV 293, "L'autunno" (Autumn): III. Allegro | Karoly Botvay | C Major | 1 | 8B | 136 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 5 (orch. Schmeling) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | G Minor | 1 | 6A | 144 BPM | ||
Musical Offering, BWV 1079: Canon 3. a 2 per Motum contrarium | Johann Sebastian Bach, Nils-Thilo Krämer, Ariane Pfister, Christian Benda, Sebastian Benda, Capella Istropolitana | C Minor | 2 | 5A | 172 BPM | ||
La Damnation de Faust, Op.24 / Part 1: Marche hongroise | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 3 | 11B | 90 BPM | ||
Suite de divertissement des indes galantes: Rondeau | Jean-Philippe Rameau, Stradivaria, Daniel Cuiller | F♯ Minor | 2 | 11A | 99 BPM | ||
Arioso | HAUSER | E♭ Major | 3 | 5B | 77 BPM | ||
Peter and the Wolf, Op. 67 (Remastered): The Story Begins | Sergei Prokofiev, Eugene Ormandy, Philadelphia Orchestra | G Major | 2 | 9B | 100 BPM | ||
Orchestral Suite in C Major, TWV 55:C3 "Hamburger Ebb und Fluth": VII. Der sturmende Aeolus | Georg Philipp Telemann, Stefano Bagliano, Collegium Pro Musica | F♯ Major | 4 | 2B | 140 BPM |
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