- BPM
- 90
- Key
- A Major
- Camelot
- 11B
La Damnation de Faust, Op.24 / Part 1: Marche hongroise - Hector Berlioz, London Symphony Orchestra, Sir Colin Davis Information
- Acousticness
- 95%
- Danceability
- 48%
- Energy
- 29%
- Instrumentalness
- 93%
- Liveness
- 6%
- Loudness
- 75%
- Speechiness
- 3%
- Valence
- 43%
- Popularity
- 15%
- Loudness
- -15.106 dB
Summary
Hector Berlioz, London Symphony Orchestra, Sir Colin Davis made "La Damnation de Faust, Op.24 / Part 1: Marche hongroise" available on December 1, 1973. With this song being about 5 minutes long, at 4:54, "La Damnation de Faust, Op.24 / Part 1: Marche hongroise" by Hector Berlioz, London Symphony Orchestra, Sir Colin Davis is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 35 in Berlioz: La Damnation de Faust by Hector Berlioz, Nicolai Gedda, Jules Bastin, Josephine Veasey, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis. In terms of popularity, La Damnation de Faust, Op.24 / Part 1: Marche hongroise is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
La Damnation de Faust, Op.24 / Part 1: Marche hongroise BPM
The tempo marking of La Damnation de Faust, Op.24 / Part 1: Marche hongroise by Hector Berlioz, London Symphony Orchestra, Sir Colin Davis is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
La Damnation de Faust, Op.24 / Part 1: Marche hongroise Key
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Star Wars (Main Theme) | John Williams, London Symphony Orchestra | F Major | 3 | 7B | 83 BPM | |
| The Imperial March (Darth Vader's Theme) | John Williams, London Symphony Orchestra | G Minor | 4 | 6A | 103 BPM | |
 | Peer Gynt Suite No. 1, Op. 46: I. Morgenstimmung (Morning Mood) | Edvard Grieg, London Symphony Orchestra, Oivin Fjelstad | E Major | 1 | 12B | 137 BPM | |
 | Klarinettenkonzert Nr. 1 f-Moll: III. Rondo: Allegretto | Carl Maria von Weber, Martin Fröst, Tapiola Sinfonietta, Jean-Jacques Kantorow | F Major | 1 | 7B | 145 BPM | |
 | Romeo and Juliet, Op.64: Montagues and Capulets | Sergei Prokofiev, Rotterdam Philharmonic Orchestra, Edo de Waart | A Minor | 1 | 8A | 113 BPM | |
 | Strauss, R: Also sprach Zarathustra, Op. 30: Introduction | Richard Strauss, Staatskapelle Dresden, Rudolf Kempe | C Major | 2 | 8B | 71 BPM | |
 | Coppelia Ballet Suite: Festival of the Clocks and Dance of the Hours | Léo Delibes, Slovak Radio Symphony Orchestra, Ondrej Lenard | E♭ Major | 0 | 5B | 181 BPM | |
 | La Damnation de Faust, Op.24 / Part 2: Air de Méphistophélès. "Voici des roses" | Hector Berlioz, Erwin Schrott, Orquestra de la Comunitat Valenciana, Riccardo Frizza | D Major | 2 | 10B | 73 BPM | |
 | Romeo and Juliet, Op. 64 / Act 1: 13. Dance Of The Knights | Sergei Prokofiev, Royal Philharmonic Orchestra, Vladimir Ashkenazy | C Major | 1 | 8B | 91 BPM | |
 | Carnival of the Animals, R. 125: XIV. Finale | Camille Saint-Saëns, Marian Lapsansky, Peter Toperczer, Slovak Radio Symphony Orchestra, Ondrej Lenard | F Major | 0 | 7B | 140 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7095832824707031
End: 0.7129983901977539