George Frideric Handel, Sonia Prina, Vito Priante, Karina Gauvin, Il Complesso Barocco, Alan Curtis made "Alcina, HWV 34 / Act 1: Oh Dei! Quivi non scorgo" available on January 1, 2009. With Alcina, HWV 34 / Act 1: Oh Dei! Quivi non scorgo being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Frideric Handel, Joyce DiDonato, Maite Beaumont, Karina Gauvin, Sonia Prina, Kobie Van Rensburg, Laura Cherici, Vito Priante, Il Complesso Barocco, Alan Curtis's "Handel: Alcina" album is number 4 out of 73. On top of that, Germany appears to be the country where this track was created. Alcina, HWV 34 / Act 1: Oh Dei! Quivi non scorgo is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Alcina, HWV 34 / Act 1: Oh Dei! Quivi non scorgo by George Frideric Handel, Sonia Prina, Vito Priante, Karina Gauvin, Il Complesso Barocco, Alan Curtis to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
O leggiadri occhi belli | Anonymous, Cecilia Bartoli, György Fischer | A♭ Major | 1 | 4B | 73 BPM | ||
Handel: Oboe Concerto in B-Flat Major, HWV 301: I. Adagio - Allegro | George Frideric Handel, Evelyn Rothwell, Valda Aveling, Hallé, Sir John Barbirolli | B♭ Major | 2 | 6B | 108 BPM | ||
Niobe, regina di Tebe: "Serena, o mio bel sole...Mia fiamma...Mio adore" | Agostino Steffani, Cecilia Bartoli, Philippe Jaroussky, I Barocchisti, Diego Fasolis, I Barrochisti | E♭ Minor | 1 | 2A | 105 BPM | ||
Te Deum, H. 146: III. Te aeternum Patrem | Marc-Antoine Charpentier, Véronique Gens, William Christie, Gilles Ragon, Jean-Paul Fouchécourt, Les Arts Florissants, Bernard Deletré | D♭ Major | 3 | 3B | 116 BPM | ||
Sinfonia, RV 725: Allegro | Antonio Vivaldi, Alan Curtis, Il Complesso Barocco | D♭ Major | 5 | 3B | 92 BPM | ||
Psyche: Prologue: Overture | Jean-Baptiste Lully, Carolyn Sampson, Karina Gauvin, Aaron Sheehan, Colin Balzer, Amanda Forsythe, Mireille Lebel, Yulia van Doren, Olivier Laquerre, Jason McStoots, Matthew Shaw, Aaron Engebreth, Ricard Bordas, Teresa Wakim, Jose Lemos, Boston Early Music Festival Chorus, Boston Early Music Festival Orchesra, Paul O'Dette, Stephen Stubbs | B♭ Major | 3 | 6B | 96 BPM | ||
Oboe Concerto in A Major (arr. J. Barbirolli): V. Giga | Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward | F Major | 0 | 7B | 104 BPM | ||
Aurore | Gabriel Fauré, Karina Gauvin, Marc-André Hamelin | G Major | 1 | 9B | 74 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: I. Ouverture: Grave. Allegro. Grave | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 2 | 6A | 115 BPM | ||
Sonata for 2 Recorders and Basso Continuo in D Minor: II. Allegro | Giovanni Battista Sammartini, Dan Laurin, Parnassus Avenue | D♭ Minor | 0 | 12A | 140 BPM |
Section: 0.6123216152191162
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