"Pièces de viole du Second Livre, suite en si mineur: Sarabande, II. 88 (1701)" by Marin Marais, Jordi Savall, Hopkinson Smith, Anne Gallet was released on September 27, 2011. The duration of Pièces de viole du Second Livre, suite en si mineur: Sarabande, II. 88 (1701) is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Pièces de viole du Second Livre, suite en si mineur: Sarabande, II. 88 (1701)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Marin Marais, Jordi Savall, Hopkinson Smith, Ton Koopman's "Marin Marais: Pièces de viole des Cinq Livres" album is number 23 out of 83. Based on our statistics, Pièces de viole du Second Livre, suite en si mineur: Sarabande, II. 88 (1701)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pièces de viole du Second Livre, suite en si mineur: Sarabande, II. 88 (1701) by Marin Marais, Jordi Savall, Hopkinson Smith, Anne Gallet to be Allegro (fast, quick, and bright) because the track has a tempo of 132 BPM, a half-time of 66BPM, and a double-time of 264 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
… che col partire | Paolo Pandolfo, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | A Minor | 1 | 8A | 118 BPM | ||
Miserere: IV. Redde mihi laetitiam | Gregorio Allegri, Le Poème Harmonique, Vincent Dumestre | F Minor | 1 | 4A | 174 BPM | ||
Symphonies pour les Soupers du Roy | Michel Richard Delalande, La Chapelle Royale, Philippe Herreweghe | F Minor | 0 | 4A | 105 BPM | ||
Suite No. 1 in G Minor: IV. Saraband | Matthew Locke, Fretwork, Sergio Bucheli, Silas Wollston | D♭ Major | 0 | 3B | 86 BPM | ||
Pass'emezzo moderno | Diego Ortiz, Paolo Pandolfo | F♯ Major | 2 | 2B | 144 BPM | ||
Ballet des fous et des estropiés de la cervelle: I. Entrée de l'Embabouinée | Anonymous, Le Poème Harmonique, Vincent Dumestre | B♭ Major | 0 | 6B | 128 BPM | ||
Sonata sesta for violino solo: I. Adagio | Daniel Purcell, Théotime Langlois de Swarte, Thomas Dunford | E Minor | 0 | 9A | 100 BPM | ||
Simphonia V: Chaconne in D Major | Louis-Nicolas Clérambault, Fabio Bonizzoni, La Risonanza | D♭ Major | 1 | 3B | 121 BPM | ||
Se l'aura spira tutta vezzosa, F7.15 | Girolamo Frescobaldi, Clematis, Leonardo García-Alarcón, Mariana Flores | G Minor | 1 | 6A | 176 BPM | ||
Ancor che col partire (Arr. The Dowland Project, Potter) | Cipriano de Rore, The Dowland Project | A Minor | 1 | 8A | 111 BPM |
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