Jacques Offenbach, Gabriel Bacquier - Choeur du Capitole de Toulouse - Jean-Philippe Lafont - Jessye Norman - Orchestre Du Capitole De Toulouse - Michel Plasson, Orchestre Du Capitole De Toulouse made "La Belle Hélène - Opéra-bouffe en 3 actes. Livret d'Henri Meilhac & Ludovic Halévy - Acte II - N°12 - Marche de l'Oie : Le voici le Roi des Rois (Choeur, Hélène, Calchas, Agamemnon)" available on 2007. With La Belle Hélène - Opéra-bouffe en 3 actes. Livret d'Henri Meilhac & Ludovic Halévy - Acte II - N°12 - Marche de l'Oie : Le voici le Roi des Rois (Choeur, Hélène, Calchas, Agamemnon) being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 19 out of 31 in Belle Hélène Norman Plasson by Jacques Offenbach, Michel Plasson. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, La Belle Hélène - Opéra-bouffe en 3 actes. Livret d'Henri Meilhac & Ludovic Halévy - Acte II - N°12 - Marche de l'Oie : Le voici le Roi des Rois (Choeur, Hélène, Calchas, Agamemnon) is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of La Belle Hélène - Opéra-bouffe en 3 actes. Livret d'Henri Meilhac & Ludovic Halévy - Acte II - N°12 - Marche de l'Oie : Le voici le Roi des Rois (Choeur, Hélène, Calchas, Agamemnon) by Jacques Offenbach, Gabriel Bacquier - Choeur du Capitole de Toulouse - Jean-Philippe Lafont - Jessye Norman - Orchestre Du Capitole De Toulouse - Michel Plasson, Orchestre Du Capitole De Toulouse is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
5 Military Marches, Op. 39, "Pomp and Circumstance": No. 1 in D Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | D Major | 3 | 10B | 127 BPM | ||
Orphée aux enfers, ACT 1, Premier tableau: la campagne aux environs d'Athènes: Viens! Viens! c'est l'honneur (L'Opinion Publique/Orphee) | Jacques Offenbach, Yann Beuron/Eva Podles/Orchestre de l'Opéra National de Lyon/Orchestre de Chambre de Grenoble/Marc Minkowski/Sharman Plesner, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | A♭ Major | 3 | 4B | 126 BPM | ||
Orphée aux enfers, ACT 1, Premier tableau: la campagne aux environs d'Athènes: La femme dont le coeur (Eurydice) | Jacques Offenbach, Natalie Dessay, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | C Major | 1 | 8B | 106 BPM | ||
Flotow: Martha / Act 3 - "M'appari" | Luciano Pavarotti, Richard Bonynge, New Philharmonia Orchestra | E Major | 3 | 12B | 125 BPM | ||
Orphée aux enfers, ACT 1, Deuxième tableau: l'Olympe: Eh hop! Eh hop! (Jupiter/Mercure/Junon) | Jacques Offenbach, Laurent Naouri/Etienne Lescroart/Orchestre de l'Opéra National de Lyon/Orchestre de Chambre de Grenoble/Marc Minkowski, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | D Minor | 2 | 7A | 72 BPM | ||
Samson et Dalila, Op. 47, R. 288 / Act 2: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Grace Bumbry, Deutsches Symphonie-Orchester Berlin, Kulka János | E♭ Major | 2 | 5B | 89 BPM | ||
A Midsummer Night's Dream, Op. 61: Scherzo | Felix Mendelssohn, Philippe Herreweghe, Orchestre des Champs-Élysées | G Minor | 1 | 6A | 118 BPM | ||
Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King | Edvard Grieg, Bergen Philharmonic Orchestra, Ole Kristian Ruud | G Major | 1 | 9B | 90 BPM | ||
El amor brujo: Ritual Fire Dance | Manuel de Falla, Fritz Reiner, Chicago Symphony Orchestra | G Major | 1 | 9B | 134 BPM | ||
Variation XVIII: Andante Cantabile | Sergei Rachmaninoff, Leonard Pennario, Arthur Fiedler, Boston Pops Orchestra | C Major | 4 | 8B | 148 BPM |
Section: 0.787116289138794
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