"Rigoletto / Act 1: Scena ed Aria. "Gualtier Maldè ... Caro nome..." - "+ là..." / "Miratela" (Gilda / Borsa, Ceprano, Coro, Marullo)" by Giuseppe Verdi, Cheryl Studer, Paul Groves, Yanni Yannissis, Dwayne Croft, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine was released on January 1, 1998. Rigoletto / Act 1: Scena ed Aria. "Gualtier Maldè ... Caro nome..." - "+ là..." / "Miratela" (Gilda / Borsa, Ceprano, Coro, Marullo) is about six minutes long, preciously at 6:24, making this song fairly long compared to other songs. This song is part of Verdi: Rigoletto by Giuseppe Verdi, Metropolitan Opera Orchestra, James Levine. The song's track number on the album is #16 out of 40 tracks. Rigoletto / Act 1: Scena ed Aria. "Gualtier Maldè ... Caro nome..." - "+ là..." / "Miratela" (Gilda / Borsa, Ceprano, Coro, Marullo) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Rigoletto / Act 1: Scena ed Aria. "Gualtier Maldè ... Caro nome..." - "+ là..." / "Miratela" (Gilda / Borsa, Ceprano, Coro, Marullo) by Giuseppe Verdi, Cheryl Studer, Paul Groves, Yanni Yannissis, Dwayne Croft, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine has a tempo of 77 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Rigoletto / Act 1: Scena ed Aria. "Gualtier Maldè ... Caro nome..." - "+ là..." / "Miratela" (Gilda / Borsa, Ceprano, Coro, Marullo) being at 77 BPM, the half-time would be 38 BPM with a double-time of 154 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La traviata / Act 2: "Che fai?" "Nulla" | Giuseppe Verdi, Rolando Villazón, Anna Netrebko, Wiener Philharmoniker, Carlo Rizzi | F Major | 2 | 7B | 90 BPM | ||
Carmen / Act 1: Final: "Le lieutenant! Prenez garde..." | Georges Bizet, Jean Barney, Jean-Noel Sissia, Maria Laborit | D♭ Major | 0 | 3B | 175 BPM | ||
Norma / Act 1: Deh! proteggimi, o Dio! | Vincenzo Bellini, Montserrat Caballé, Orchestra of the Welsh National Opera, Richard Bonynge | D♭ Major | 0 | 3B | 170 BPM | ||
Les nuits d'été, Op. 7: 2. Le spectre de la rose | Hector Berlioz, Anne Sofie von Otter, Berliner Philharmoniker, James Levine | B Major | 1 | 1B | 73 BPM | ||
Il Trovatore / Act 1: "Di due figli" | Giuseppe Verdi, Nicolai Ghiaurov, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | E Minor | 1 | 9A | 105 BPM | ||
Carmen (1997 - Remaster), Act I: La cloche a sonné....Dans l'air | Georges Bizet, Choeurs René Duclos/Choeurs d'Enfants Jean Pesneaud/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | E Major | 1 | 12B | 82 BPM | ||
Pagliacci / Act 1: "Don, din, don - suona vespero" | Ruggero Leoncavallo, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Georges Prêtre | C Major | 1 | 8B | 84 BPM | ||
4 Melodies, Op. 39: No. 4, Les roses d'Ispahan | Gabriel Fauré, Kathleen Battle, James Levine | D Major | 0 | 10B | 80 BPM | ||
Un ballo in maschera / Act 3: Ma se m'è forza perderti | Giuseppe Verdi, Roberto Alagna, Claudio Abbado, Berliner Philharmoniker | C Major | 1 | 8B | 71 BPM | ||
I Puritani / Act 1: Ah! per sempre io ti perdei | Vincenzo Bellini, Piero Cappuccilli, Renato Cazzaniga, London Symphony Orchestra, Richard Bonynge | G Major | 2 | 9B | 74 BPM |
Section: 0.6871025562286377
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