Silvius Leopold Weiss, David Russell made "Suite No. XIV (Numbering by R. Chiesa) - Angloise" available on January 1, 2012. With Suite No. XIV (Numbering by R. Chiesa) - Angloise being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 21 in the song's album "The Grandeur Of The Baroque". In this album, this song's track order is #18. In terms of popularity, Suite No. XIV (Numbering by R. Chiesa) - Angloise is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Suite No. XIV (Numbering by R. Chiesa) - Angloise by Silvius Leopold Weiss, David Russell having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bardenklange, Op. 13: Book 3: No. 3. Capriccio | Johann Kaspar Mertz, Gabriel Bianco | D Minor | 1 | 7A | 152 BPM | ||
Première suite à 3 violes in D Major: No. 1, Prélude | Marin Marais, François Joubert-Caillet, L'Achéron | D♭ Major | 2 | 3B | 113 BPM | ||
Canarios | Gaspar Sanz, Thibault Cauvin | D Major | 4 | 10B | 136 BPM | ||
Toccata in G Minor (Arr. E. Netzer for Harp) | Alessandro Scarlatti, Elisa Netzer | C Minor | 1 | 5A | 100 BPM | ||
Toccata VI | Alessandro Piccinini, Ulrik Gaston Larsen | D Minor | 1 | 7A | 83 BPM | ||
Keyboard Sonata in D Minor, K.32/L.423/P.14 (arr. Kyuhee Park for guitar) | Domenico Scarlatti, Kyuhee Park | E Minor | 0 | 9A | 137 BPM | ||
Dowland's Tears (arr. N. North of I Saw My Lady Weep) | Nigel North | F♯ Minor | 0 | 11A | 106 BPM | ||
Sonata in D Minor, K. 32 (Arr. for Guitar by Michael Lewin) | Domenico Scarlatti, Miloš Karadaglić | E Minor | 0 | 9A | 110 BPM | ||
Dernière courente de Gautier | Denis Gaultier, Bernhard Hofstötter | D♭ Minor | 1 | 12A | 148 BPM | ||
Fantasia No. 33 | Francesco da Milano, Jakob Lindberg | G Minor | 1 | 6A | 103 BPM |
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