Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 1: Ah! finisca e per sempre (Orfeo) - Christoph Willibald Gluck, Agnes Baltsa, Riccardo Muti, Philharmonia Orchestra Information

"Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 1: Ah! finisca e per sempre (Orfeo)" by Christoph Willibald Gluck, Agnes Baltsa, Riccardo Muti, Philharmonia Orchestra was released on 1982. With Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 1: Ah! finisca e per sempre (Orfeo) being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Christoph Willibald Gluck, Riccardo Muti's "Gluck: Orfeo ed Euridice" album is number 7 out of 35. Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 1: Ah! finisca e per sempre (Orfeo) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 1: Ah! finisca e per sempre (Orfeo) BPM

We consider the tempo marking of Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 1: Ah! finisca e per sempre (Orfeo) by Christoph Willibald Gluck, Agnes Baltsa, Riccardo Muti, Philharmonia Orchestra to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.

Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 1: Ah! finisca e per sempre (Orfeo) Key

G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.