- BPM
- 116
- Key
- D Minor
- Camelot
- 7A
The Art of Fugue, BWV 1080: Canon per Augmentationem in Contrario Motu - Johann Sebastian Bach, Keller Quartett Information
- Acousticness
- 95%
- Danceability
- 26%
- Energy
- 4%
- Instrumentalness
- 66%
- Liveness
- 12%
- Loudness
- 57%
- Speechiness
- 6%
- Valence
- 17%
- Popularity
- 7%
- Loudness
- -25.558 dB
Summary
"The Art of Fugue, BWV 1080: Canon per Augmentationem in Contrario Motu" by Johann Sebastian Bach, Keller Quartett was released on 1988. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Johann Sebastian Bach, Keller Quartett's "J.S Bach - Die Kunst Der Fuge" album is number 16 out of 20. In terms of popularity, The Art of Fugue, BWV 1080: Canon per Augmentationem in Contrario Motu is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The Art of Fugue, BWV 1080: Canon per Augmentationem in Contrario Motu BPM
We consider the tempo marking of The Art of Fugue, BWV 1080: Canon per Augmentationem in Contrario Motu by Johann Sebastian Bach, Keller Quartett to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
The Art of Fugue, BWV 1080: Canon per Augmentationem in Contrario Motu Key
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Vivaldi: Chamber Concerto in D Major, RV 92: III. Allegro | Antonio Vivaldi, Il Giardino Armonico, Giovanni Antonini | D♭ Minor | 0 | 12A | 81 BPM | |
 | Sonata in E Minor (Allegrissimo), Kk. 98 | Domenico Scarlatti, Ivo Pogorelich | E Minor | 0 | 9A | 84 BPM | |
 | Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.6 in D minor BWV851 | Daniel Barenboim | D Minor | 1 | 7A | 129 BPM | |
 | Sonata No. 2 in E-Flat Major, BWV 1031: II. Siciliana | Johann Sebastian Bach, James Galway | G Minor | 0 | 6A | 102 BPM | |
| Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.12 in F minor BWV857 | Daniel Barenboim | F Minor | 1 | 4A | 71 BPM | |
 | Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | |
 | Kleine Präludien: No.3 in D Minor, BWV 926 | Inge Rosar | D Minor | 1 | 7A | 83 BPM | |
 | Concerto In The Italian Style, BWV 971, "Italian Concerto": I. (Allegro) | Janos Sebestyen, Johann Sebastian Bach | F Major | 3 | 7B | 105 BPM | |
 | Waltz in C-sharp minor, Op. 64 No. 2 | Frédéric Chopin, Khatia Buniatishvili | D♭ Minor | 0 | 12A | 96 BPM | |
 | Bach, JS: Concerto for 4 Pianos in A Minor, BWV 1065: I. Allegro | Johann Sebastian Bach, David Fray, Audrey Vigoureux, Emmanuel Christien, Jacques Rouvier, Orchestre National Du Capitole De Toulouse | A Minor | 3 | 8A | 108 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7527463436126709
End: 0.7566335201263428