"Telemann: Concerto for four violins - Grave" by Charivari Agréable was released on 2003. With Telemann: Concerto for four violins - Grave being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Charivari Agréable's "Modus Phantasticus" album is number 10 out of 20. In terms of popularity, Telemann: Concerto for four violins - Grave is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Telemann: Concerto for four violins - Grave by Charivari Agréable to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Turno Aricino | Giovanni Bononcini, Charivari Agréable, Stephen Pedder, Kah-Ming Ng | B Major | 1 | 1B | 115 BPM | ||
Antonio de Cabezón: Diferencias sobre canto del Cavallero | Charivari Agréable | E Major | 1 | 12B | 87 BPM | ||
Concerto Grosso In F Minor, Op. 1, No. 8: I. Largo - Grave - Vivace - Grave | Pietro Locatelli, Tafelmusik Baroque Orchestra, Jeanne Lamon | A Minor | 1 | 8A | 117 BPM | ||
Concerto Grosso in D Major, Op. 3, No. 9: II. Presto | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | D Major | 4 | 10B | 137 BPM | ||
Canzoni overo sonate concertate per chiesa e camera, Book 3, Op. 12: No. 20, Chiaccona | Tarquinio Merula, London Baroque | B Major | 3 | 1B | 168 BPM | ||
Recorder Sonata No. 12 in G Minor: I. Largo | Francesco Mancini, Dan Laurin, London Baroque | F♯ Minor | 1 | 11A | 91 BPM | ||
Quartet in G Major, TWV 43:G10: II. Vivace II | Georg Philipp Telemann, Charivari Agréable | A♭ Major | 0 | 4B | 171 BPM | ||
Sonata a 5 in G Minor, Op. 2, No. 6: III. Grave | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | G Minor | 0 | 6A | 94 BPM | ||
Sonata for Violin and Basso Continuo in G Major, TWV 41:G1: IV. Allegro | Georg Philipp Telemann, Boris Begelman | D♭ Major | 4 | 3B | 124 BPM | ||
Sonata a 5 in A Minor - Adagio | Johann Krieger, Charivari Agréable, The King's Singers, Kah-Ming Ng | A♭ Major | 0 | 4B | 74 BPM |
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