"Requiem Mass, 1605: Offertory, Domine, Jesu Christe" by Tomás Luis de Victoria, Tenebrae, Nigel Short was released on March 28, 2011. Since Requiem Mass, 1605: Offertory, Domine, Jesu Christe is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Victoria: Requiem Mass, 1605 by Tenebrae, Nigel Short. The song's track number on the album is #6 out of 32 tracks. Requiem Mass, 1605: Offertory, Domine, Jesu Christe is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Requiem Mass, 1605: Offertory, Domine, Jesu Christe by Tomás Luis de Victoria, Tenebrae, Nigel Short has a tempo of 74 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Requiem Mass, 1605: Offertory, Domine, Jesu Christe being at 74 BPM, the half-time would be 37 BPM with a double-time of 148 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
O lux beata Trinitas | Andrej Makor, BYU Singers, Andrew Crane | F♯ Major | 1 | 2B | 106 BPM | ||
O vos imitatores (Arr. for Soprano, Saxophone and Vocal Ensemble by Nigel Short) | Nigel Short, Hildegard von Bingen, Christian Forshaw, Victoria Meteyard, Tenebrae | C Major | 4 | 8B | 160 BPM | ||
Tota pulchra es, WAB 46 | Anton Bruckner, Tenebrae, Alexander Mason, Nigel Short | F Major | 1 | 7B | 69 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: III. Credo | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | A♭ Major | 1 | 4B | 118 BPM | ||
Alma Redemptoris Mater | Hildegard von Bingen, Sequentia, Barbara Thornton | F Major | 1 | 7B | 80 BPM | ||
Se Per Havervi, Oime | Nordic Chamber Choir - Nicol Matt | D♭ Major | 0 | 3B | 92 BPM | ||
Stetit Angelus | Millikin University Choir | A Minor | 1 | 8A | 86 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: V. Glory Be to Thee | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E♭ Major | 1 | 5B | 97 BPM | ||
3 Latin Motets, Op. 38: III. Beati quorum via | Charles Villiers Stanford, The Choir Of Trinity College, Cambridge, Stephen Layton | A♭ Major | 1 | 4B | 83 BPM | ||
4 Motets sur des themes gregoriens, Op. 10: III. Tu es Petrus | Maurice Duruflé, Michel Piquemal Vocal Ensemble, Michel Piquemal | B Major | 2 | 1B | 78 BPM |
Section: 0.5772712230682373
End: 0.5821754932403564