"Debussy: Masques, CD 110, L. 105" by Claude Debussy, Walter Gieseking was released on November 11, 2022. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 13 out of 14 in Debussy: Images, Children's Corner, Masques & L'isle joyeuse by Claude Debussy, Walter Gieseking. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Debussy: Masques, CD 110, L. 105 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Debussy: Masques, CD 110, L. 105 by Claude Debussy, Walter Gieseking is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Three Romances for Violin and Piano, Op. 22: I. Andante molto | Clara Schumann, Esther Abrami, Iyad Sughayer | D♭ Major | 2 | 3B | 81 BPM | ||
Debussy / Arr. Smith & Denisov: Rodrigue et Chimène, CD 80, L. 72, Act 1: "À ta beauté ma force est asservie" (Rodrigue, Chimène) | Claude Debussy, Kent Nagano, Donna Brown, Laurence Dale, Orchestre de l'Opéra de Lyon | C Major | 2 | 8B | 101 BPM | ||
Printemps (reconstructed by C. Bongers): I. Tres modere | Claude Debussy, Cyril Bongers, Marie-Josèphe Jude, Jean-François Heisser, Flemish Radio Choir | B Major | 4 | 1B | 69 BPM | ||
Liebestraum | Franz Liszt, Arthur Rubinstein | A♭ Major | 2 | 4B | 95 BPM | ||
Nocturne en mi bémol majeur opus 9 n°2: Ballade en Sol Mineur No.1 | Frédéric Chopin, Luis Fernando Pérez | E♭ Major | 0 | 5B | 61 BPM | ||
Lyric Pieces, Op. 57: VI. Hjemveop - Andante | Edvard Grieg, Javier Perianes | E Minor | 0 | 9A | 131 BPM | ||
Variations on a Rococo Theme, Op. 33, TH 57: Var: VI. Andante | Pyotr Ilyich Tchaikovsky, Jean-Guihen Queyras, BBC Symphony Orchestra, Jiří Bělohlávek | D Major | 0 | 10B | 114 BPM | ||
Debussy / Arr. Smith & Denisov: Rodrigue et Chimène, CD 80, L. 72, Act 1: "Fourbis le glaive" (Rodrigue, Chimène, Chorus, Hernan, Iñez) | Claude Debussy, Kent Nagano, Chœur de l’Opéra de Lyon, Donna Brown, Gilles Ragon, Hélène Jossoud, Laurence Dale, Orchestre de l'Opéra de Lyon | C Major | 2 | 8B | 101 BPM | ||
Romanian Folk Dances, Sz 56: III. Pe-loc - Andante | Béla Bartók, Andrew Rangell | C Major | 0 | 8B | 88 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM |
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