"Variations on a Theme of Chopin, Op. 22: Variations 19 - 20" by Sergei Rachmaninoff, Park Eun Shik was released on December 17, 2021. The duration of Variations on a Theme of Chopin, Op. 22: Variations 19 - 20 is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Variations on a Theme of Chopin, Op. 22: Variations 19 - 20's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Rachmaninoff 22 23". In this album, this song's track order is #20. Furthermore, we believe that the track originated from South Korea. Variations on a Theme of Chopin, Op. 22: Variations 19 - 20 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Variations on a Theme of Chopin, Op. 22: Variations 19 - 20 by Sergei Rachmaninoff, Park Eun Shik having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 5/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
48 Esquisses, Op. 63, Book 4: No. 48, En songe | Charles-Valentin Alkan, Steven Osborne | C Major | 0 | 8B | 73 BPM | ||
33 Miniatures for Piano (Excerpts): No. 32, Sostenuto | Giya Kancheli, Elisaveta Blumina | E Minor | 0 | 9A | 76 BPM | ||
Prélude, Choral et Fugue FWV 21: No. 1, Prélude. Moderato | César Franck, Jean-Pierre Armengaud | A Major | 1 | 11B | 130 BPM | ||
Lieder ohne Worte VI, Op. 67: I. Andante, MWV U180 | Felix Mendelssohn, Howard Shelley | E Major | 0 | 12B | 97 BPM | ||
The Danserye (Transcr. for Piano by Florian Noack): II. Dont vient cela | Tylman Susato, Florian Noack | A Minor | 0 | 8A | 79 BPM | ||
Toccata brisée | Christian Schittenhelm, Svetlana Andreeva | E♭ Major | 2 | 5B | 115 BPM | ||
R. CARPIO: Suite Hospital Prelude (Chuquisengo, Piano) | ROBERTO CARPIO, Juan José Chuquisengo | D♭ Major | 3 | 3B | 121 BPM | ||
Nocturne No. 8 in A Major, H. 46 | John Field, Michael Collins, Michael McHale | A Major | 0 | 11B | 74 BPM | ||
Variations on a Theme of Corelli, Op. 42: Coda. Andante | Sergei Rachmaninoff, Howard Shelley | G Minor | 0 | 6A | 81 BPM | ||
Cantabile Reverie | Valentina Rossi Piano | F Minor | 1 | 4A | 126 BPM |
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