Johann Nepomuk Hummel, Lise Daoust, Carmen Picard's 'Flute and Piano Sonata in A Major, Op. 64: I. Allegro con garbo' came out on May 20, 1996. With this song being about 5 minutes long, at 4:52, "Flute and Piano Sonata in A Major, Op. 64: I. Allegro con garbo" by Johann Nepomuk Hummel, Lise Daoust, Carmen Picard is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Johann Nepomuk Hummel, Lise Daoust, Elizabeth Dolin, Carmen Picard's "Hummel: Flute Sonatas / Flute Trio / Grand Rondeau Brillant" album is number 7 out of 19. On top of that, Hong Kong appears to be the country where this track was created. Flute and Piano Sonata in A Major, Op. 64: I. Allegro con garbo is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Flute and Piano Sonata in A Major, Op. 64: I. Allegro con garbo by Johann Nepomuk Hummel, Lise Daoust, Carmen Picard to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hummel: Trumpet Concerto in E-Flat Major: II. Andante | Johann Nepomuk Hummel, Alison Balsom, Deutsche Kammerphilharmonie Bremen | A♭ Major | 1 | 4B | 66 BPM | ||
String Quartet in D Minor, Op. posth. D.810 "Death and the Maiden": IV. Presto | Franz Schubert, Jerusalem Quartet | D Minor | 1 | 7A | 91 BPM | ||
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | ||
Cello Concerto No. 1 in C Major, Hob.VIIb:1: III. Allegro molto | Joseph Haydn, Steven Isserlis, Sir Roger Norrington | B Minor | 4 | 10A | 119 BPM | ||
Piano Concerto No.2 in G Major, Op. 44: II. Stringendo | Vladimir Ashkenazy, Sydney Symphony Orchestra, Garrick Ohlsson | D Major | 3 | 10B | 145 BPM | ||
Bach, JS: Concerto for Two Violins in D Minor, BWV 1043: I. Vivace | Johann Sebastian Bach, Anne-Sophie Mutter, Leslie Pearson, Salvatore Accardo, English Chamber Orchestra | D Minor | 3 | 7A | 179 BPM | ||
Keyboard Sonata in C Major, Kk. 159: Allegro | Domenico Scarlatti, Ivo Pogorelich | C Major | 2 | 8B | 169 BPM | ||
Albinoni: Concerto In B Flat, Op 7 No.3 - I Allegro | Tomaso Albinoni, Tine Thing Helseth | B♭ Major | 3 | 6B | 113 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Mandolin Concerto in G Major, S. 28: III. Rondo. Allegro (Cadenza: A. Avital) | Avi Avital, Johann Nepomuk Hummel, Il Giardino Armonico, Giovanni Antonini | G Major | 3 | 9B | 158 BPM |
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