"Toccata and Fugue in D Minor, BWV 565: Toccata" by Wayne Marshall was released on February 1, 2011. The duration of Toccata and Fugue in D Minor, BWV 565: Toccata is about 3 minutes long, at 3:23. Based on our data, "Toccata and Fugue in D Minor, BWV 565: Toccata" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in 100 Drivetime Classics, so we believe that "Toccata and Fugue in D Minor, BWV 565: Toccata" is a single. Toccata and Fugue in D Minor, BWV 565: Toccata is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Toccata and Fugue in D Minor, BWV 565: Toccata by Wayne Marshall is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jazz Clarinet Concerto: I. Allegro | Jorge Calandrelli, Andy Miles, WDR Funkhausorchester Köln, Wayne Marshall | F♯ Minor | 1 | 11A | 106 BPM | ||
Rimsky-Korsakov: Scheherazade, Op. 35: II. The Kalendar Prince (Excerpt) | Nikolai Rimsky-Korsakov, Riccardo Muti, Philadelphia Orchestra | B Minor | 0 | 10A | 146 BPM | ||
The Four Seasons - Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn": III. Allegro | Antonio Vivaldi, Joshua Bell, Academy of St. Martin in the Fields | C Major | 1 | 8B | 144 BPM | ||
Lady Radnor's Suite: V. Slow Minuet | Hubert Parry, London Symphony Orchestra, Sir Adrian Boult | B♭ Major | 0 | 6B | 98 BPM | ||
Vierne: 24 Pièces de fantaisie, Suite No. 3, Op. 54: No. 6, Carillon de Westminster | Louis Vierne, Wayne Marshall | D Major | 1 | 10B | 90 BPM | ||
Mozart: Horn Concerto No. 4 in E-Flat Major, K. 495: III. Rondo. Allegro vivace | Wolfgang Amadeus Mozart, Barry Tuckwell, Sir Neville Marriner, Academy of St. Martin in the Fields | E♭ Major | 1 | 5B | 75 BPM | ||
Kinderszenen, Op. 15: No. 7, Träumerei (Arr. for Violin and Orchestra) | Robert Schumann, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | F Major | 1 | 7B | 93 BPM | ||
Tchaikovsky: 1812 Overture in E-Flat Major, Op. 49 (Excerpt) | Pyotr Ilyich Tchaikovsky, Oslo Philharmonic Orchestra, Mariss Jansons | E♭ Major | 6 | 5B | 110 BPM | ||
Pur ti Miro from 'L'incoronazione di Poppea | Claudio Monteverdi, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | A Major | 0 | 11B | 95 BPM | ||
II. Adagio cantabile from Piano Sonata No. 8 in C minor, Op. 13 "Pathetique" - Instrumental | Ludwig van Beethoven, Murray Perahia | A♭ Major | 0 | 4B | 62 BPM |
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