"Montero: La cumparsita (Improvisation on the Tango of Matos Rodr¡guez) - from the Berlin Concert" by Gabriela Montero, Gerardo Matos Rodriguez was released on December 3, 2010. With this song being about 5 minutes long, at 4:48, "Montero: La cumparsita (Improvisation on the Tango of Matos Rodr¡guez) - from the Berlin Concert" by Gabriela Montero, Gerardo Matos Rodriguez is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Gabriela Montero's "Live In Germany" album is number 24 out of 30. In terms of popularity, Montero: La cumparsita (Improvisation on the Tango of Matos Rodr¡guez) - from the Berlin Concert is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Montero: La cumparsita (Improvisation on the Tango of Matos Rodr¡guez) - from the Berlin Concert by Gabriela Montero, Gerardo Matos Rodriguez to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Montero: Improvisation on Pachelbel's Canon | Gabriela Montero | D♭ Major | 0 | 3B | 133 BPM | ||
Ständchen in D Minor (After Schubert), S. 560 | Franz Liszt, Lise de la Salle | D Major | 0 | 10B | 76 BPM | ||
Piano Sonata No. 1 in F Minor, Op. 2, No. 1: II. Adagio | Ludwig van Beethoven, Igor Levit | F Major | 0 | 7B | 67 BPM | ||
Musica callada I Angelico | Federico Mompou, Arcadi Volodos | A Minor | 0 | 8A | 93 BPM | ||
Sonata Op.22: III. Adagio molto appassionato | Alberto Ginastera, Gabriela Montero | C Major | 0 | 8B | 140 BPM | ||
Lieder ohne Worte, Op. 30/6: Allegretto tranquillo "Venetianisches Gondellied" | Felix Mendelssohn, Javier Perianes | F♯ Minor | 0 | 11A | 131 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai (Live) | Maurice Ravel, Gabriela Montero, The Orchestra of the Americas, Carlos Miguel Prieto | E Major | 0 | 12B | 74 BPM | ||
12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano) | Sergei Rachmaninoff, Sergei Babayan | A♭ Major | 0 | 4B | 78 BPM | ||
Ancestro 2 | Antonio Estévez, Gabriela Montero | B♭ Major | 0 | 6B | 132 BPM | ||
Montero: Autumn (Improvisation after the first movement of Vivaldi's Violin Concerto, Op. 8 No. 3, RV 293) | Gabriela Montero | G Major | 2 | 9B | 69 BPM |
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