Gabriela Montero made "Montero: Autumn (Improvisation after the first movement of Vivaldi's Violin Concerto, Op. 8 No. 3, RV 293)" available on September 28, 2007. The duration of Montero: Autumn (Improvisation after the first movement of Vivaldi's Violin Concerto, Op. 8 No. 3, RV 293) is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Montero: Autumn (Improvisation after the first movement of Vivaldi's Violin Concerto, Op. 8 No. 3, RV 293)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 17 in Baroque by Gabriela Montero. Montero: Autumn (Improvisation after the first movement of Vivaldi's Violin Concerto, Op. 8 No. 3, RV 293) is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Montero: Autumn (Improvisation after the first movement of Vivaldi's Violin Concerto, Op. 8 No. 3, RV 293) by Gabriela Montero is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No. 6 in F Major | John Field, Benjamin Frith | F Major | 0 | 7B | 71 BPM | ||
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
Deux Arabesques, CD. 74: I. Andantino con moto | Claude Debussy, Nikolai Lugansky | F♯ Minor | 0 | 11A | 68 BPM | ||
Wiegenlied, Op. 49, No. 4 | Johannes Brahms, Leonidas Kavakos, Yuja Wang | E♭ Major | 0 | 5B | 74 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
13 Pieces for Piano, Op. 76: Elegiaco, No. 10 | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 169 BPM | ||
Rachmaninov: Suite No. 2 in C Major, Op. 17: I. Introduction. Alla marcia (Live) | Sergei Rachmaninoff, Martha Argerich, Gabriela Montero | C Major | 3 | 8B | 95 BPM | ||
Massenet: Mélodie-Elégie, Op. 10 No. 5 from "Les Erinnyes" | Jules Massenet, Edgar Moreau, Pierre-Yves Hodique | E Minor | 0 | 9A | 73 BPM | ||
Prokofiev: Cello Sonata in C Major, Op. 119: III. Allegro, ma non troppo | Sergei Prokofiev, Gautier Capuçon, Gabriela Montero | D♭ Major | 1 | 3B | 75 BPM | ||
Chopin: Berceuse in D-Flat Major, Op. 57 | Frédéric Chopin, Dong Hyek Lim | D♭ Major | 0 | 3B | 67 BPM |
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