"Suite from the Victorian Kitchen Garden - Arr. for Piano and Clarinet" by Paul Reade, Nigel Clayton was released on 2013. The duration of Suite from the Victorian Kitchen Garden - Arr. for Piano and Clarinet is about 3 minutes long, at 3:08. Based on our data, "Suite from the Victorian Kitchen Garden - Arr. for Piano and Clarinet" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 21 out of 54 in Clarinet Exam Pieces 2014 - 2017, ABRSM Grade 6 by Sarah Thurlow, Nigel Clayton. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Suite from the Victorian Kitchen Garden - Arr. for Piano and Clarinet is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Suite from the Victorian Kitchen Garden - Arr. for Piano and Clarinet by Paul Reade, Nigel Clayton is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Farewell to Stromness (Arr. for Orchestra) | Peter Maxwell Davies, Philharmonia Orchestra, Christopher Warren-Green | D Major | 0 | 10B | 59 BPM | ||
Le Tic-Toc-Choc | François Couperin, Sarah O'Brien | A Major | 1 | 11B | 87 BPM | ||
Clarinet Quintet in A Major: Clarinet Quintet in A Major: I. Allegro | Wolfgang Amadeus Mozart, Arcanto Quartett, Jörg Widmann | A Major | 1 | 11B | 116 BPM | ||
3 Old Viennese Dances: No. 2, Liebesleid (Transcr. for Violin and Orchestra) | Fritz Kreisler, María Dueñas, Wiener Symphoniker, Manfred Honeck | G Major | 0 | 9B | 103 BPM | ||
African Suite: V. Akinla: Allegro non troppo | Fela Sowande, Chicago Sinfonietta, Paul Freeman | C Major | 0 | 8B | 130 BPM | ||
Flute Concerto No. 2 in D major, K.314/285d: III. Rondo. Allegretto | Wolfgang Amadeus Mozart, Robert Langevin, New York Philharmonic, Bernard Labadie | D Major | 1 | 10B | 123 BPM | ||
Adoration (Version for Solo Violin and String Orchestra) | Florence Beatrice Price, Daniel Hope, Zürcher Kammerorchester | D Major | 1 | 10B | 80 BPM | ||
String Quartet No. 12 in F Major, Op. 96, B. 179 "American": II. Lento | Antonín Dvořák, Pavel Haas Quartet | D Minor | 0 | 7A | 87 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
The Well-Tempered Clavier Pt. 1: Prelude No. 1 in C Major, BWV 846 | Johann Sebastian Bach, Yu Jung Yoon | C Major | 0 | 8B | 71 BPM |
Section: 0.8416147232055664
End: 0.8450145721435547