"Three Essays (2016/2019) for soprano saxophone Solo: II" by Toshio Hosokawa, Masanori Oishi was released on April 1, 2024. The duration of Three Essays (2016/2019) for soprano saxophone Solo: II is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Three Essays (2016/2019) for soprano saxophone Solo: II's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 9 in the song's album "Toshio Hosokawa: Light and Darkness. Works for Saxophone". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Austria. Three Essays (2016/2019) for soprano saxophone Solo: II is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Three Essays (2016/2019) for soprano saxophone Solo: II by Toshio Hosokawa, Masanori Oishi having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cura Emocional | Sinta Positivo | B♭ Major | 0 | 6B | 73 BPM | ||
Symphony No. 2: III | Arvo Pärt, NFM Wrocław Philharmonic, Tõnu Kaljuste | A Minor | 0 | 8A | 95 BPM | ||
A Ladybug's Farewell | Tyler H. W. Lewis | D♭ Minor | 3 | 12A | 151 BPM | ||
Banchikicho no Choshi (Gagaku) | Toshio Hosokawa, 0, Mayumi Miyata, Stefan Hussong | E Major | 0 | 12B | 70 BPM | ||
commendable | Quiet Wonder | C Major | 0 | 8B | 123 BPM | ||
Ave verum (Improvisation à l'orgue) | Thierry Mechler | F♯ Major | 0 | 2B | 132 BPM | ||
In Nomine-Instrumentation colorée I (2001) for flute, oboe, bass clarinet, percussion, piano, violin, viola and Violoncello | John Taverner, Gérard Pesson, Ensemble Recherche | D Major | 3 | 10B | 120 BPM | ||
Timpani Quartum: III. Moto perpetuo (Solo for Four Timpani) | Maya Badian, Mircea Badian | C Major | 2 | 8B | 180 BPM | ||
Romance | Toru Takemitsu, Kotaro Fukuma | G Minor | 0 | 6A | 164 BPM | ||
Andante for Strings | Ruth Crawford Seeger, Schönberg Ensemble, Oliver Knussen | F Major | 0 | 7B | 56 BPM |
Section: 0.6941683292388916
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