"Préludes / Book 1, L.117 (Arr. For Violoncello And Piano By Mischa Maisky): Minstrels in G Major (From Preludes I, No. 12)- Moderato" by Claude Debussy, Mischa Maisky, Daria Hovora was released on January 1, 1994. The duration of Préludes / Book 1, L.117 (Arr. For Violoncello And Piano By Mischa Maisky): Minstrels in G Major (From Preludes I, No. 12)- Moderato is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Préludes / Book 1, L.117 (Arr. For Violoncello And Piano By Mischa Maisky): Minstrels in G Major (From Preludes I, No. 12)- Moderato's duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 15 in Cellissimo by Mischa Maisky, Daria Hovora. In terms of popularity, Préludes / Book 1, L.117 (Arr. For Violoncello And Piano By Mischa Maisky): Minstrels in G Major (From Preludes I, No. 12)- Moderato is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Préludes / Book 1, L.117 (Arr. For Violoncello And Piano By Mischa Maisky): Minstrels in G Major (From Preludes I, No. 12)- Moderato by Claude Debussy, Mischa Maisky, Daria Hovora is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Rondo in A Minor, K. 511 | Wolfgang Amadeus Mozart, Seong-Jin Cho | D Minor | 1 | 7A | 130 BPM | ||
Widmung, Op. 25 No. 1 (Arr. Franz Liszt) | Robert Schumann, Martin James Bartlett | A♭ Major | 0 | 4B | 74 BPM | ||
Lyric Pieces Book I, Op. 12: No. 1 Arietta | Edvard Grieg, Emil Gilels | E♭ Major | 0 | 5B | 130 BPM | ||
Children's Corner (arr. A. Caplet for orchestra): Serenade for the Doll | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | D♭ Minor | 0 | 12A | 131 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
Lyric Pieces Book V, Op. 54: No. 4 Notturno | Edvard Grieg, Emil Gilels | D Minor | 0 | 7A | 72 BPM | ||
Henry V: Henry V: Touch her soft lips and part | William Walton, The Cambridge Singers, Aurora Orchestra, John Rutter | C Major | 0 | 8B | 82 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Waltz No. 19 in A Minor, KK IVb (Version for Harp in A Flat Minor) | Frédéric Chopin, Magdalena Hoffmann | A♭ Minor | 1 | 1A | 127 BPM |
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