"Wild Swans Suite: II. Eliza Aria (Arr. for Piano)" by Elena Kats-Chernin, Lang Lang was released on March 29, 2019. The duration of Wild Swans Suite: II. Eliza Aria (Arr. for Piano) is about 3 minutes long, at 3:10. Based on our data, "Wild Swans Suite: II. Eliza Aria (Arr. for Piano)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 41 in the song's album "Piano Book (Deluxe Edition)". In this album, this song's track order is #34. Wild Swans Suite: II. Eliza Aria (Arr. for Piano) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Wild Swans Suite: II. Eliza Aria (Arr. for Piano) by Elena Kats-Chernin, Lang Lang having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lo, the full, final sacrifice, Op. 26: Amen - Instrumental | Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon | E Major | 1 | 12B | 112 BPM | ||
Pavane pour une infante défunte, M. 19 | Maurice Ravel, Anna Vinnitskaya | E Minor | 0 | 9A | 67 BPM | ||
Scenes from Childhood, Op. 15: VII. Träumerei | Hugo Gorka | F Major | 0 | 7B | 65 BPM | ||
Dance In 7/4 | Elena Kats-Chernin, Tamara Anna Cislowska | B Minor | 0 | 10A | 68 BPM | ||
Tissue No. 7 | Philip Glass, Camille Thomas, Julien Brocal | B♭ Major | 0 | 6B | 75 BPM | ||
Intermezzo (Cavalleria Rusticana) | Domenico Monleone, Pietro Mascagni, HAUSER, Robert Ziegler, London Symphony Orchestra | F Major | 4 | 7B | 87 BPM | ||
Young Birches, Op. 128, No. 2 | Amy Beach, Joanne Polk | F♯ Minor | 1 | 11A | 170 BPM | ||
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
Schumann, Clara: 3 Romances, Op. 11: No. 1 in E-Flat Minor | Clara Schumann, Sophie Pacini | E♭ Minor | 0 | 2A | 60 BPM | ||
Get Well Rag | Elena Kats-Chernin | D Minor | 1 | 7A | 116 BPM |
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