On February 25, 2022, the song "Carnaval, Op. 9 "Scènes mignonnes sur quatre notes": No. 7 in B-Flat Major, Coquette - Vivo" was released by Robert Schumann, Luca Ballerini. With Carnaval, Op. 9 "Scènes mignonnes sur quatre notes": No. 7 in B-Flat Major, Coquette - Vivo being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 26 in the song's album "Schumann: Concert sans Orchestre Op.14 (Manuscript Version 1836), Carnaval Op. 9". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Italy. Based on our statistics, Carnaval, Op. 9 "Scènes mignonnes sur quatre notes": No. 7 in B-Flat Major, Coquette - Vivo's popularity is below average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Carnaval, Op. 9 "Scènes mignonnes sur quatre notes": No. 7 in B-Flat Major, Coquette - Vivo by Robert Schumann, Luca Ballerini having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keyboard Sonata in A Major, Wq. 54/6, H. 207: I. Allegro di molto | Carl Philipp Emanuel Bach, Ana-Marija Markovina | A Major | 1 | 11B | 0 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Ständchen (From Schwanengesang, D957) | Franz Liszt, Evgeny Kissin | D Major | 0 | 10B | 68 BPM | ||
Chansons grises: V. L'heure exquise | Reynaldo Hahn, Mischa Maisky, Daria Hovora | D Major | 0 | 10B | 83 BPM | ||
Serenade for Strings, Op. 22, B. 52 (Excerpts Arr. P. Breiner for Piano): II. Minuet | Antonín Dvořák, Peter Breiner | A Major | 0 | 11B | 67 BPM | ||
6 Pezzi, P. 44: No. 6. Internmezzo-serenata | Ottorino Respighi, Konstantin Scherbakov | A Major | 0 | 11B | 83 BPM | ||
Les Erinnyes - Arr. by Mischa Maisky: Elégie | Jules Massenet, Mischa Maisky, Pavel Gililov | G Minor | 0 | 6A | 179 BPM | ||
Mazurka in C Major | Mikhail Glinka, Inga Fiolia | A Minor | 0 | 8A | 69 BPM | ||
3 Etudes Opus 104b: No. 1 in B-Flat Minor | Felix Mendelssohn, Bertrand Chamayou | B♭ Minor | 1 | 3A | 52 BPM | ||
Serenade in B-Flat Major, K. 361 "Gran Partita": III. Adagio | Wolfgang Amadeus Mozart, Orpheus Chamber Orchestra | E♭ Major | 0 | 5B | 68 BPM |
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