"Responsoria ad Matutium in Nativitate Domini iuxta ritum monastaticum: Responsorium I: Hodie nobis caelorum rex" by Gregorian Chant, Coro de Monjes de la Abadía de Montserrat, Pater Gregori Estrada was released on January 1, 1991. Since Responsoria ad Matutium in Nativitate Domini iuxta ritum monastaticum: Responsorium I: Hodie nobis caelorum rex is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 107 in the song's album "The Tradition of Gregorian Chant". In this album, this song's track order is #1. Responsoria ad Matutium in Nativitate Domini iuxta ritum monastaticum: Responsorium I: Hodie nobis caelorum rex is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Responsoria ad Matutium in Nativitate Domini iuxta ritum monastaticum: Responsorium I: Hodie nobis caelorum rex by Gregorian Chant, Coro de Monjes de la Abadía de Montserrat, Pater Gregori Estrada having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem: Kyrie | Johannes Ockeghem, Musica Ficta, Bo Holten | G Major | 1 | 9B | 73 BPM | ||
The Silver Swan | Orlando Gibbons, Apollo5 | C Major | 1 | 8B | 79 BPM | ||
Missa orbis factor - Kyrie | Nova Schola Gregoriana, Alberto Turco | A♭ Major | 0 | 4B | 107 BPM | ||
Cantigas de Santa Maria, No. 60: Entre Av'e Eva | Alfonso X El Sabio, Esther Lamandier | F Major | 1 | 7B | 84 BPM | ||
Amen, Allelulia | State Symphony Cappella | D♭ Major | 1 | 3B | 68 BPM | ||
Compostela "Ad vesperas Sancti Iacobi": I. Hymnus peregrinorum "Dum pater familias" | Codex Calixtinus, Ensemble Organum, Marcel Pérès | E Minor | 3 | 9A | 82 BPM | ||
Te Deum laudamus Hymnus (Dankgottesdienst) | Choir Of St. Abuscus | D Major | 1 | 10B | 134 BPM | ||
Sanctum Nomen | Margaret Rizza | C Major | 1 | 8B | 88 BPM | ||
Missa Kyrie fons bonitatisV. Agnus Dei | Gregorian Chants, Karel Frana, Boni Puncti | E♭ Major | 2 | 5B | 130 BPM | ||
Música Religiosa (Vol. I), I. Adoramus Te (4 V.) CM 4: Adoramus Te Domine (Antífonia) | Jordi Savall | D Minor | 0 | 7A | 89 BPM |
Section: 0.526047945022583
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