Francesco Mancini, Dan Laurin, London Baroque's ' "Recorder Sonata No. 12 in G Minor: II. Fuga" was released on its scheduled release date, August 28, 2004. The duration of This song is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Recorder Sonata No. 12 in G Minor: II. Fuga's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 29 in the song's album "Stravaganza Napoletane". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Sweden. Based on our statistics, Recorder Sonata No. 12 in G Minor: II. Fuga's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Recorder Sonata No. 12 in G Minor: II. Fuga by Francesco Mancini, Dan Laurin, London Baroque having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture in B-Flat Major, Op. 8, No. 1: II. Andante | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | B♭ Major | 0 | 6B | 85 BPM | ||
Concerto XX in C Minor: Comodo | Francesco Mancini, Capella Tiberina | B Minor | 2 | 10A | 134 BPM | ||
Sinfonia No. 7 in G Minor, RosS 533.7: IV. Allegro | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | D♭ Minor | 3 | 12A | 120 BPM | ||
Recorder Concerto No. 9 in A Minor: II. Largo | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | A♭ Minor | 1 | 1A | 126 BPM | ||
6 Sonates meleese de pieces, Op. 2: V. Sonata in D major "La Chauvet”: VI. Gavotta "La Dedale" | Michel Blavet, Claudio Ferrarini, Accademia Farnese | A♭ Major | 0 | 4B | 119 BPM | ||
Concerts royaux, Concerto No. 2 in D Major: II. Allemande fuguée | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Violin Sonata No. 1 in A Major, C. 138: III. Adagio | Heinrich Ignaz Franz von Biber, Ars Antiqua Austria, Gunar Letzbor | A♭ Major | 1 | 4B | 66 BPM | ||
Guitar Quintet No. 4 in D Major, G. 448: I. Pastorale | Luigi Boccherini, José Miguel Moreno, La Real Cámara | A♭ Major | 0 | 4B | 110 BPM | ||
Neubrandenburg Concerto No. 1: II. Aria (Transcr. By Harer, after Bach's Aria variata alla maniera italiana BWV 989) | Johann Sebastian Bach, Christoph Harer, La Festa Musicale | F♯ Minor | 0 | 11A | 89 BPM | ||
Concerto Grosso in B-Flat Major, Op. 3 No 1, HWV 312: II. Largo - 2014 Remaster | George Frideric Handel, August Wenzinger, Cappella Coloniensis des WDR | F♯ Minor | 3 | 11A | 93 BPM |