Ernst von Dohnányi, Julius Katchen, London Philharmonic Orchestra, Sir Adrian Boult's 'Variations on a Nursery Song, Op. 25: Var. 6 (Ancora più mosso, allegro)' came out on 1954. With Variations on a Nursery Song, Op. 25: Var. 6 (Ancora più mosso, allegro) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 38 in the song's album "Rachmaninoff: Rhapsody on a theme of Paganini [1954]; Dohnányi: Variations on a Nursery Song [1954] (Adrian Boult – The Decca Legacy III, Vol. 11)". In this album, this song's track order is #32. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Variations on a Nursery Song, Op. 25: Var. 6 (Ancora più mosso, allegro)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Variations on a Nursery Song, Op. 25: Var. 6 (Ancora più mosso, allegro) by Ernst von Dohnányi, Julius Katchen, London Philharmonic Orchestra, Sir Adrian Boult having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Spanish Dances, Op. 22: Danza espanola No. 4: Jota navarra, Op. 22, No. 2 | Pablo de Sarasate, Tianwa Yang, Markus Hadulla | G Major | 1 | 9B | 99 BPM | ||
VII. Allégresse | Gabriel Fauré, Lucas Debargue | C Major | 0 | 8B | 69 BPM | ||
Ten Preludes, Op. 23: V. Alla marcia | Sergei Rachmaninoff, Rustem Hayroudinoff | D♭ Major | 1 | 3B | 92 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation 16. Allegretto | Sergei Rachmaninoff, Boris Giltburg, Brussels Philharmonic, Vassily Sinaisky | F♯ Major | 0 | 2B | 105 BPM | ||
Aubade, FP 51a: VIII. Andante. Variation de Diane | Francis Poulenc, Ronald Corp, New London Orchestra, Julian Evans | E Major | 0 | 12B | 178 BPM | ||
Frosoblomster (Froso-Flowers), Book 2: No. 1. Solhesning (Salute to the Sun) | Wilhelm Peterson-Berger, Niklas Sivelov | C Major | 1 | 8B | 108 BPM | ||
Fruhlingsglaube, Op. 20: No. 2 (Faith in Spring, Arr. Solo Piano by Liszt) - Duo-Art 5900 | Franz Schubert, Aurelio Giorni, Peter Phillips | A♭ Major | 0 | 4B | 66 BPM | ||
Nocturne In A Flat Major, Op 62 No 3 | A Nanut | A♭ Major | 0 | 4B | 69 BPM | ||
Prelude & Fugue in D Minor, BWV 539 "Fiddle" (Arr. Goedicke for Piano): II. Fugue | Johann Sebastian Bach, Hamish Milne | D Minor | 1 | 7A | 114 BPM | ||
Piano Sonata in G Minor: I. Allegro molto agitato | Fanny Mendelssohn, Heather Schmidt | D Major | 2 | 10B | 82 BPM |
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